Word: films
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Dates: during 1970-1979
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...much of his career Tom Conti has been called the British Dustin Hoffman. He looks so much like Hoff man that he once fooled even himself. "I did a film a couple of years ago," he says, "and there was a bit in which I was lying upside down, unconscious in a sailboat. The shot came up later on when I was watching the rushes and I thought. 'God! That's Dustin Hoffman!' " Conti also finds himself in odd positions in Whose Life Is It Any way?, but not for a second does the audience doubt whom it is seeing...
...Company wants to act seriously. Somers is in London's Wembley Stadium shooting Yesterday's Hero, the story of a veteran British footballer fighting age and alcohol. In the female lead, she is a hip rock singer. The role is certainly more fulfilling than her only previous feature film credit, a wandering blond in American Graffiti whose one line was a wan "I love...
...film should not come as a complete surprise to anyone who has been paying attention to Allen's doings lately. This is the movie that Annie Hall hinted at and to which last year's Interiors, flawed as it was, seems to have served as a necessary prelude. It is even possible to perceive some of its themes in Allen's work ever since he began making movies on his own in 1969 (Take the Money and Run was the first pure Woody). It could be argued that the difference between Manhattan and its predecessors is chiefly one of degree...
...impression is of sheer confidence. The black and white carries an air of nostalgic romance, and it suits Allen's character in the film, who has, as Woody says, "the poignancy of age. He raps contemporary mores. He's clinging to Gershwin, the music of the past and to black and white." Beyond that, Allen lets long scenes play without break. The camera often just sits on its haunches and stares, without even a close-up or a reverse angle intruding. Variation comes from movement within the frame; sometimes, in fact, the actor moves right out of it, keeps talking...
...sexual clown, the man who used to do jokes about making obscene telephone calls to a girl, "collect," has now disappeared. Isaac Davis has his troubles with women, but he presents himself as a man who has "never had any trouble finding women." At the center of the film there is his relationship with a teen-age girl daringly presented in idealistic terms, an affair the old Allen would have made a guilty joke about and passed quickly over. Now he makes some guilty jokes but stays around to explore the affair and its meaning with tenderness and concern. Gone...