Word: films
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Dates: during 1990-1999
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...have directed him demur. "He's way stronger than he thinks he is," says Billy Bob Thornton, who worked with him on All the Pretty Horses. Notes Minghella of Damon's work in Ripley: "It's not a display performance. But the journey that he makes in the film is extraordinary. It's so carefully drawn." And both of them use the exact same phrase: "He just gets...
...discuss Minghella's adaptation of the Ripley book--how he has deepened it, enriched it, possibly distorted it--we'll be spilling a bean or two about the plot, which is, anyway, well known from the novel (published in 1955 and still in print) and a 1960 French film version, Rene Clement's Purple Noon (which is on video and was rereleased in U.S. theaters in 1996). You're welcome to see the new movie first--it should be on every naughty child's Christmas wish list. Then come back and we'll talk...
...assumes his identity." In the novel, Tom Ripley, an orphan in his mid-20s with a gift for larceny and mimicry, is hired by a rich shipbuilder to go to Mongibello, an Italian resort village where the man's son Dickie Greenleaf (played by Law in the new film) has been idling, to try persuading the lad to return home to the family business. Tom agrees, sails to Europe and, on seeing Dickie, is dazzled by his luscious indolence. Dickie paints, indifferently; he tans, splendidly; and he flirts with Marge (Paltrow), a young American who has a crush...
...sweet, rich buttinsky (Blanchett) and a gentle homosexual (Davenport). Can he kiss them, or kiss them off, without bumping them off? We won't tell, but we will say that Tom has second thoughts about his addiction to killing the things he loves. The film lets Tom off the hook for the murders of Dickie and Freddie. Then it creates a new hook and leaves you wondering if Ripley will hang from...
...trying to honor the book, which is about a man who commits murder and isn't caught," Minghella says. "But I also wanted to investigate what that actually means. At the end of the film, Ripley is imprisoned by the consequences of his own action. There's a difference between public accountability and private justice. He appears to have gotten away; he seems to get away with everything. In a way he's sentenced to freedom. It's painful to have this talent for escape, for being able to improvise one's way out of any situation. To Ripley...