Word: films
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Dates: during 2010-2019
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...ODDSAC” seems to reject any objective analysis. Its reception is dependent upon whether one can accept the aesthetic eccentricity and allow oneself to be captivated by it. The film will attract endless speculation about its meaning, and its signification. But this misses the point. As Perez stated, “Don’t try to find a meaning.” The aim of the film is to achieve aesthetic unity, which it does...
...work displays a transcendence of the image-sound boundary, a transcendence which generates psychological disruption and shock in the viewer. But further than this analysis, we should not attempt to ponder. Any meaning the film has is what it arouses in the individual; there is no universal symbolism to the images or music. Attempting to unravel such a non-existent meaning would be futile, and would only serve to destroy the personal connection for which the film strives...
...takes its subject matter from the security-camera footage of Patty Hearst, the heiress kidnapped and brainwashed by the Symbionese Liberation Army (SLA), robbing a bank along with her captors. The piece incorporates aspects of the SLA’s manifesto, fairy tales, 1970s horror and science-fiction film, TV news interviews and would-be Warhol assassin Valerie Solanas’ radical feminist “SCUM (Society for Cutting Up Men) Manifesto...
...Cracks,” a dark little tale directed by Jordan Scott (daughter of director Ridley Scott) and set in a girls’ boarding school in the English countryside, all is outwardly beautiful. And how! Lips in the film, which are usually pouting and receiving of loving close-ups, are deepest crimson; as sensuously undulate as the verdant hills in the background. The water in which the girls take their diving lessons is always sparkling, set in such a contrast to the gray stone of the school that it makes the harmony of colors sing. Everything is shot with...
...Jean Brodie—she lacks that famous character’s intelligence, refinement, and life-experience. The shallow allure that Green conveys is not to be mistaken as depthless acting—it is the indeed the very crux of her character and the lynchpin of the film entire...