Word: films
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Dates: during 2010-2019
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...didn't know your name when they walked into An Education but walked out predicting that you'd be the front runner for Best Actress It's odd, actually, because going into the Golden Globes, it was a year to the day to the hour from when the film had premiered at Sundance. So it's been around for such a long time that it's hard to really process. I read for the film in late 2006, and it was the third time that I auditioned when I finally met the director. There would be these big, six-month...
...Sundance, actually. And I thought I was completely awful. I took my friend Zoe Kazan and her mom, and I was like, "Oh my God, I'm so boring! I don't do anything with my face!" I had never really watched myself before as the star of a film. I had been in supporting roles all the time, and [with those] you can come in and then disappear. But in An Education I'm there all the time, and of course you're so self-involved that it's all you can do the first time you watch...
...like the film now? I mean, there's a lot of praise of the movie and of your performance. Do you believe what people are saying? I love the film. You're always critical of your own work, and the more time that goes by from when you did it, you start saying, "Well, now, I'd do this differently or that differently." But it all works very well together and you can't think you'd go back to change something because you're not the same person anymore and the same stuff that I see in it that...
...combat music piracy. It's not that Grainge doesn't care about this issue - indeed, he wants the U.S. to become tougher on piracy. He says, however, that there is "no platinum-tipped magic bullet" to solve the problem. One thing that will help: forming a coalition of music, film and publishing companies to lobby both Congress and Internet service providers to enact tougher sanctions against music pirates. "English-speaking content has most to lose [from file-sharing]," he says...
...expanding Universal Music's operations, he wants to turn it into a "content-owning rights company," which means developing television and film formats to vie with the two Simons' TV franchises: Fuller's American Idol and Cowell's soon-to-be-arriving X Factor, which is already a big hit in Britain. Among Universal's television projects in Britain is a show called Popstar to Operastar, which features Meatloaf as a judge of La Scala wannabes. And on the theater front, Universal is backing Judy Craymer, the producer of the stage and film musical Mamma Mia!, in her efforts...