Word: films
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Dates: during 2010-2019
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...relationship between the film and television industries was far from friendly. Still very much a new medium, TV had conquered the country in the first few years of the decade: it constituted a tremendous improvement on radio, and watching “I Love Lucy” cost no ticket price—this correlated, not surprisingly, with a sharp drop in box office revenue. Hollywood responded with the jealous petulance you’d expect from any first-born child. Many studios forbade their contracted stars from appearing on television, and the networks—devoid of their...
Televising the Oscars (the ceremonies had been broadcast on radio for some time) represented a convenient symbiosis. But the merger of film and television presented producers with a formidable challenge: how to create a program that would appeal to both the cinephile—deigning for one night to watch, shame of shames, television—and the devout TV viewer whose remote control happened to lead him there...
...character in the movie: “I set records with my shit-turds!” Unfortunately, “Cop Out” represents a literal cop out by Kevin Smith in the production of a “shit-turd” of a film...
Everyone loves a buddy-cop film. Whether it’s Jackie Chan and Chris Tucker together in “Rush Hour” or Martin Lawrence in “Blue Streak,” “National Security,” or “Bad Boys,” the normally-funny dynamics of characters and plot lend themselves to successful films. With hysterical love/hate relationships between the partners, the usually high-paced and unrealistic save-the-world plots, goofy slip-ups, and ass-kicking repartee, the genre has always offered a lot to audiences...
Throughout the movie, you can tell that even Willis and Morgan know it is a terrible film, with visible sighs and eye rolling by the two that seem to move beyond the script and into their feeling about the film that they’re putting their names...