Word: films
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...film focusing on a single day in the lives of 21 people is bound to have poor character development. All of the characters are one-dimensional, except for the surprisingly excellent Ashton Kutcher. As the film’s central character, Kutcher undergoes the most changes over the course of the day and gradually wins over the audience with his combination of charm and down-to-earth attitude. In a film directed by the menopausal king of chick flicks, Garry Marshal (“Pretty Woman,” “Runaway Bride...
...Khan's influence is also apparent in younger actors like Abhay Deol. From a family of Bollywood heartthrobs, Deol could have easily followed that path. Instead, he starred in one of last year's biggest multiplex hits, Dev.D, playing a brooding, drug-addled rich kid in a film with no singing, no dancing and a not-so-happy ending. And in last year's hit Billu, the shifting balance of artistic power wrought by Khan is on full display. Khan plays the eponymous barber whose world is upended when his childhood friend, a Bollywood superstar, comes to town. That star...
...didn't have to. Other roles soon followed as the economics of the Indian film industry radically changed. Studios in Bollywood, as in Hollywood, discovered alternatives to the high-risk, high-reward blockbuster. India's new malls featured smaller, luxurious multiplexes to appeal to the urban middle classes, a far cry from the bare-bones cinema halls and marquees of small towns and villages. "You went from 1,000 seats to 100 seats, where it was easier to show films that did not require 1,000 people to break even," says Gupta. Studios could make healthy profits with smaller budgets...
...Roorkee, everything Khan has worked for seems to come together around him. Sharma, the disillusioned actor, plays a sympathetic army officer. Dhulia, a director who once struggled to get his films made, has the backing of UTV, a thriving studio that specializes in multiplex movies. The young soldiers, some with wives and children in tow, follow Khan around the set, taking his picture with their mobile phones. After a few takes at the starting line, Khan has to run against several of the Sappers, who are extras in the film. His pale gangly legs don't quite match their tanned...
They met cute. In 1967, Smith was a dreamy 20-year-old from a blue collar family. She was obsessed with art, film and books, and her taste in decadent demigods was impeccable, from Charles Baudelaire to William Burroughs. But she was drifting into a prosaic life. The previous year she had gotten pregnant, dropped out of a teachers' college, placed the baby with an adoptive family and started punching a clock in a textbook factory. In desperation she lunged for New York City with her drawing pencils and a copy of Rimbaud. Straight off the bus she headed...