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...South Korea, Bong Joon-ho is known as one of the biggest blockbuster makers. His second film, 2003’s “Memories of Murder,” instantly became the fourth most watched movie in the country for that year. Considering the film dealt with a high degree of violence—a perverted serial killer who victimized numerous young women—its commercial success was monumental. “Memories” was also critically acclaimed, screening at several international film festivals, such as the Cannes Film Festival, London International Film Festival, and San Sebastian...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Korean Filmmaker Bong is a Hit at HFA | 3/9/2010 | See Source »

...larger breakthrough, however, was yet to come. “The Host,” which premiered in 2006 at the Cannes Film Festival, broke box office records in its home country with 13 million viewers in four months. The film focuses on a mutant monster generated by a U.S. Army laboratory which illegally dumped chemicals in the Han River (the “Seine of Seoul”). Bong was especially applauded for his ability to mix the conventions of a genre film—a monster film in this case—with his facetious social satire...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Korean Filmmaker Bong is a Hit at HFA | 3/9/2010 | See Source »

After the release of “The Host,” Bong began to receive international attention. The acclaimed French film journal Cahiers du cinéma ranked the movie as the third best film of 2006. Film critic Wesley Morris from The Boston Globe also listed “The Host” as the ninth best movie of 2007, after it premiered in the States...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Korean Filmmaker Bong is a Hit at HFA | 3/9/2010 | See Source »

...reception following the screening of “Mother,” Bong left a personal message to Harvard students concentrating in film studies: “About 15 years ago, I was also a student studying cinema—some bitter-sweet memories. You must feel the same...

Author: By Shijung Kim, CONTRIBUTING WRITER | Title: Korean Filmmaker Bong is a Hit at HFA | 3/9/2010 | See Source »

This is the sort of movie where it almost feels as though the person who wrote the second page never read the first. A film where a character can tell a girl that he likes “Pride and Prejudice” because it reminds him of the hazards of first impressions, and then in the next scene be found rereading the book, explaining “I just met a girl who reminds me of Elizabeth Bennett.” Is he not listening to his own dialogue? The movie often gives that impression...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: The Good Guy | 3/9/2010 | See Source »

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