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...would expect to triumph at the end, fades out like a dream scene. The reverse is central to the poem, and Wright makes it universal simply by allowing it to grow larger than the words. Similarly, in "Wherever Home Is," he allows a statue of Leonardo da Vinci to filter into his mind and emerge uncontrollable on paper. He relishes the flavor of da Vinci's life and the historical impression he is left with: affectionately he calls Leonardo a "madman" and wanders off in the sun with the artist. The last stanza is memorable...

Author: By Naomi L. Pierce, | Title: Savoring the Sunset | 4/20/1982 | See Source »

...spite of his dominant presence on the court, other images of the senior captain stand out for the close observer of Harvard basketball. Like after each home game, as the often sparse crowds filter out of the IAB, the sight of his tow children, Darrell and Tamelia, romping all over the gym. Donald's wife, Jean, says she lets the kids run relatively free when they are outside of the couple's small Peabody Terrace apartment...

Author: By Mark H. Doctoroff, | Title: Donald Fleming | 3/6/1982 | See Source »

Like artists of every stripe, the best historians make their work look easy.Their research may have been long and arduous, but they filter the odor of archival dust and mildew out of the finished product. Also gone are the blind alleys and dead ends, all the large and petty frustrations of scholarship. Few readers mind being spared such details. Yet the tracks that historians cover are sometimes as fascinating as the past they recapture...

Author: /time Magazine | Title: Books: The Past Recaptured | 2/15/1982 | See Source »

...come. The sad fact seems to be that no younger American artist, in the 25 years since his death, has quite got past Pollock's achievement. His work was mined and sifted by later artists as though he were a lesser Picasso; seen through this or that critical filter, it could mean almost anything. The basic données of color-field abstraction, which treated the canvas like an enormous watercolor dyed with mat pigment, were deduced by Frankenthaler, Morris and Noland from the soakings and spatterings of Pollock's work. Along with that went the "theological" view...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

Occasional glimpses of Christian courage do filter through. The study criticizes a troublesome archbishop in Vladimir and Suzdal for ordering his clergymen "to preach more frequently and not be lazy." Pointing to a disturbing revival of traditional holiday visits by priests, the author of the report lauds one council functionary in Tomsk who "took steps to curtail such activities" after he noted that Lenten visits created a "sensation" in villages and provoked "unwholesome interest" among unbelievers...

Author: /time Magazine | Title: Religion: Screwtape II | 12/7/1981 | See Source »

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