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...peculiar sensation of looking back on the art of the '80s. How, in America, have its frequent miseries balanced out against its episodic splendors? The end of a century -- and even more, the end of a millennium -- brings anxiety with it: the unavoidable doubts and mannerisms of the fin de siecle, when every kind of stylistic bubble rises to the cultural surface, swells and bursts with a soft plop and a whiff, while marsh lights flicker and the cultural promoters croak their Aristophanic chorus. The SoHo Tar Pits: heaven for the market, purgatory (or limbo, anyway) for judgment...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...then (or so one must surmise, through the haze of fin de siecle uncertainties) the whole picture of American art in the '80s will have altered; some popular reputations will seem as obviously ridiculous -- though as sociologically interesting -- as the former cult of such late 19th century artists as Bougereau or Hans Makart. But whether there is any real genius in the offing is a moot point. America has no major younger expressionist artist, like Germany's Anselm Kiefer or England's Frank Auerbach. Though it has some gifted realist painters, notably William Bailey and Neil Welliver, none...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

...conspire to prove that boy is a fool. Still, the message of Nights at the Circus seems the least of its attractions. Carter punctuates her story with arresting images. There is the carriage horse in London that blows "a plume of oats over the nosebag." A box of fin-de-siecle chocolates bears a top layer of "chirruping papers." What becomes of Fevvers and Walser, star-crossed lovers at the hinge of the modern era, fades in interest. The turbulent life that Carter recaptures survives, in these pages, undiminished...

Author: /time Magazine | Title: Books: On the Wings of a New Age Nights At the Circus | 2/25/1985 | See Source »

...unfolding account was a remarkable exposure of the inside workings of portion of the newspaper. It focused on Foster Winans, 35, one of two main "Heard on the Street" writers before he was fin two weeks ago. At that time, the paper said, Winans admitted to the Securities and Exchange Commission that he had leaked items from upcoming columns to investors. Among those who may have benefited was David J. Carpenter, 34, a former Journal news clerk and Winans' homosexual lover. The two men share an apartment in Manhattan's Greenwich Village...

Author: /time Magazine | Title: The Talk of the Money World | 4/16/1984 | See Source »

...thread of folly that runs through Barbara Tuchman's books is a filament of doom. In The Guns of August, a wrongheaded French strategy in the first days of World War I leads inexorably to the deadlock of the trenches. The tensions and energies of fin-de-siéde Europe and America in The Proud Tower are primed to explode in that same war. And the chaos of the 14th century becomes A Distant Mirror of the modern distemper...

Author: /time Magazine | Title: Books: The Downhill Road from Troy | 3/26/1984 | See Source »

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