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Word: finalities (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...housing. His amendment almost got through. A standing vote on Rees's amendment went down by one vote and Rees demanded a teller count, taken by queuing up in two groups-yes or no-and marching past the counters. Rees won then by 168-165. But on a final roll-call vote, Administration forces were able to beat Rees by a bare 209-204 vote. All through these nervous moments, Speaker Sam Rayburn and Majority Leader John McCormack prowled the floor, corralling votes, ably keeping their eyes on the intricate parliamentary maneuvering...

Author: /time Magazine | Title: National Affairs: New Roofs for the Nation | 7/11/1949 | See Source »

Three of their final day's opinions would be argued by lawyers for years to come...

Author: /time Magazine | Title: THE SUPREME COURT: All in a Day's Work | 7/11/1949 | See Source »

...into Britain's dollar and gold reserves. The danger point, many Britons had long thought, would be reached if the reserves fell below ?500 million. Last week they stood at closer to ?400 million. To Cripps's many critics it looked as if the crisis was the final proof that his policies should be scrapped. They renewed their demands that Britain abandon bilateral deals and compete freely in a world market...

Author: /time Magazine | Title: ECONOMICS: 1952? | 7/11/1949 | See Source »

...press to call him a bourgeois when he loses, praise him as the standard-bearer of "our people's democratic republic" when he wins. Schroeder swept easily through the second and third sets, misfired in the fourth. But he never seemed in serious danger, and ran out the final game of the fifth set at love to win his first Wimbledon title, 3-6, 6-0, 6-3, 4-6, 6-4. Then he tossed his racket 20 feet into the air, shook hands all around, embraced the championship...

Author: /time Magazine | Title: Sport: Winners at Wimbledon | 7/11/1949 | See Source »

Like a runaway Wagnerian opera, Fountainhead lumbers from crisis to crisis in a hysterical crescendo of muddleheaded talk and stagy pretentiousness. Its final, most brassy explosion: an enormous, foreshortened view of Gary Cooper-presumably a hulking symbol of rugged individualism -straddling the topmost scaffolding of his new skyscraper. Apparently aimed at Communist and other critics of the American way, Fountainhead will provide some of the corniest grist for Soviet propaganda mills that Hollywood has produced in a long time...

Author: /time Magazine | Title: Cinema: The New Pictures, Jul. 11, 1949 | 7/11/1949 | See Source »

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