Word: finalizing
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Dates: during 1960-1969
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Apparently, yes. As the script takes shape, Wiles and Schlatter begin to toss out soft comedy lines and beef up others. Soon the final draft-having grown to 235 pages, or about three times as large as the customary script for a one-hour comedy show-is ready. The cast gathers around a table in the studio for a read-through. After two days of casual rehearsal, they head for the stage for two twelve-hour days of taping. The only audience present consists of staffers, office boys, secretaries, members of families. The laughter on the show is canned...
THIS week, still hopeful that they can achieve the goal set by President Kennedy but aware that time is fast running out, U.S. spacemen will begin their final lunar thrust. Barring last-minute delays, Astronauts Walter Schirra, Walter Cunningham and Donn Eisele will be shot into earth orbit aboard Apollo 7 in the first manned flight of the spacecraft that will eventually carry astronauts to the moon. If Apollo lives up to NASA's expectations during its eleven-day mission, it will clear the way for a possible flight around the moon in December and the landing of astronauts...
...astronauts will also at tempt to rendezvous with the burnt-out final stage of their launch rocket, using only a sextant and a telescope for direction finding; the Apollo command module is not equipped with rendezvous radar. During their week-and-a-half space journey, they will start Apollo's large, 20,500-lb.-thrust engine eight times to test its reliability. That engine literally means the difference between life and death. On actual moon missions, it will be used to guide an Apollo spacecraft into orbit around the moon, and, later, to fire the craft out of lunar...
Thus, on the eve of the final phase of Apollo's lunar mission, there were increasing hopes that the first men to set foot on the moon, and to look up at a moonlike earth in the sky above them, would, after all, be U.S. astronauts...
There are no answers, and the final moments of the play suffer somewhat from a lack of resolution. But the crisp, authoritative acting of Norman Rose as Father and the admirable sets by Lester Polakov that meld the eerie with the ordinary, manage to make the play most satisfactorily unsettling...