Word: finals
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...Undergraduate Council voted unanimously last night to accept the second and final installment of UC election reform...
...didn’t make the Revolution—the Revolution made us.” Originally a haphazardly charismatic character, Danton grows embittered when his initial quests for pleasure through women and wine start to feel like the listless idles of a cynic. Even in his final hours, Danton proves remotely unmoved by his impending demise; he reflectively admits one dark night, “I am merely flirting with death—it’s all empty noise, bravado.” Clark portrays this shift in Danton’s character effectively; his natural stage presence...
...almost here. It’s slightly more than two years away, though, according to the academic Francis Fukuyama. In “The End of History and the Last Man,” Professor Fukuyama famously argued that liberal democracy will become the last form of government, the final product of the evolutionary mechanism that is history. But both the director of this would-be blockbuster and the renowned political scientist got it wrong. While Fukuyama’s vision of the future was surely more accurate than Emmerich’s, he didn’t dream wildly...
...stake are issues that, while fundamental to societal preservation, don’t have a clear-cut harm, such as the keeping of profanity from children or the maintenance of monogamy. In matters such as these, this final stage in the historical process poses a danger by prioritizing liberty over any societal standard that’s not rooted in avoidance of concrete harm...
Goldberger intends this final segment, with its ridiculously rapid succession of plot twists and accusations flying back and forth, as a parody of a film noir murder mystery, in which the plot unfolds, the guilty reveal themselves, and all the pieces fall into place in one climactic scene. He is fairly successful—the series of deceitful maneuvers and murders is entertaining, and so absurd that it’s funny. Here, Goldberger successfully creates the satirical thriller he was aiming...