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Before shows can even try to answer these greater questions, each group must garner attention, secure creative participation and, of course, raise money. The three shows face two main challenges in finding funding on campus: none is a stand-alone organization, and all find themselves unable to apply for Undergraduate Council grants due to their charitable status. These shows thus find themselves obligated to look beyond the obvious sources for financial support...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Within an increasingly crowded and competitive field of student groups, these fashion shows find their affiliations with cultural organizations and institutions a great financial asset. Last fall Project East, committed to remaining an entirely Asian-American and Asian enterprise, was sponsored by the Reischauer Institute, which supports research on Japan, and the Korea Institute. Says Harel-Cohen, “there are these very big student organizations associated with minorities. We were linked to different Asian organizations on campus because they can raise the money. It’s much easier to do it from that framework than to just...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

With dim prospects for UC funding, these fashion shows turn to outside sources for financial support—sources that find charitable impulses a pull for funding rather than a drawback. “I think when you have an organization that caters to minority or underrepresented students, there’s usually a cause attached. Since they are either donating to charity or helping out underrepresented students, companies are more willing to sign on,” says Farah S. Qadar ’10, the president of the Association of Minority Business Leaders and Entrepreneurs (AMBLE), which recently...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

...movie is not exceptional, but it is able to find humor in its absolute absurdity. While by no means, as Michelle (Regina Hall) says, is this “the best eulogy anyone’s ever heard,” the film makes for an enjoyable, if mediocre, 90 minutes with a handful of outrageous and memorable scenes...

Author: By Chris A. Henderson, CONTRIBUTING WRITER | Title: Death at a Funeral | 4/20/2010 | See Source »

...professional scholars, a territory she knows well. Seltzer’s academic career is narrated by Goldstein—a former fellow of the Radcliffe Institute for Advanced Study, among other posts—with the skill of an insider. Given Goldstein’s background, Harvard students may find much that is familiar in Seltzer’s story. He works at a predominantly Jewish university named for a famous Jewish jurist—not Brandeis, of course, but the fictitious “Frankfurter University.” One of Seltzer’s colleagues is said...

Author: By Yair Rosenberg, CRIMSON STAFF WRITER | Title: Goldstein Opens Up Religious Discussion in ‘36 Arguments’ | 4/20/2010 | See Source »

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