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...ordered small black coffees at four different locales and added some cream and two packets of Splenda to each. And how could we forget HUDS—we grabbed a cup of that as well. Find out how we break them down after the jump...
Another tip to find out which classes are overflowing is to see which ones have fliers everywhere. Since Aesthetic and Interpretive Understanding 26: "Gender and Performance" had fliers (along with a 4.8 Q Guide score) and counts toward both Gen Ed and the Core (Literature and Arts B), it hit the jackpot. Students were pouring out of the hallway onto the steps of Emerson Hall...
...Living All Over Me,”—and languish into its prescribed stoner-rock loveseat. The alleged indignity with which the original lineup dispersed (Mascis reportedly fired bassist Barlow without ever actually telling Barlow after “Bug” in 1988; Barlow would find renewed underground success with his Sebadoh and Folk Implosion projects) made a true reunion unlikely. That’s probably what made their reunion and resurgence—marked by the astounding “Beyond,” one of the best albums of 2007 hands-down...
...Indeed, many of the musicians have struggled to break into a world where a Harvard diploma is more of a curiosity than anything else. Harvard Rocks NYC offered these aspiring artists, who have mostly found themselves making it alone in the New York music scene, a chance to find support in each other’s experiences, network, and show the audience that Harvard truly rocks.CREATING THE FIRST CRIMSON ROCK EVENTHarvard Rocks NYC was produced in collaboration with Harvardwood, a non-profit organization for Harvard students, alumni, and staff interested in the arts, media, and entertainment. The festival was born...
...selection of 26 of Steiner’s prints spanning four decades and six continents. But these photos are explained only by printout labels with little more information than the title of the piece and the location of the shot, leaving a void where one might expect to find some rationale for featuring these works under this heading. Sprawling landscapes and faces from across the world are hardly anything innovative in the photographic world. Instead, the depth of the exhibition comes from the implicit connection between the prints and Steiner’s professional work with human rights activism...