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Over the next decade, you've got about five movie projects signed up. How did you find the time to start a trilogy of vampire novels? I started it actually about four years ago. The idea behind The Strain was to try and marry old Eastern European folklore with an urban procedural feel. Which is very much the way, back in the day, Dracula must have read to contemporary readers. It was a very now, in the moment, modern novel. And I wanted to recapture that a little...
...seem to find the practical idea of what a vampire's anatomy might look like particularly fascinating. Not just the idea of what they can do, but also what they look like on the inside. Where does that come from? When I was a kid, my father bought two encyclopedias for our library. He bought an art encyclopedia and a medical encyclopedia. I read them both eagerly and the idea of art and anatomy and biology became fused into one. Somebody said that the best way to believe in a monster is to find the corpse, the carcass...
...creature in one scene, and he's also the romantic lead. Those strands will always be intertwined in the common imagination. But I'm attracted much more to the re-animated corpse hungry for life, which is the one that is common to most human mythologies. You can find them in Asia, you can find them in Europe, you can find them in America. (Watch TIME's video "Making Drag Me to Hell More Hellish...
Other buying opportunities will arise as Western banks, particularly those that have been bailed out by their governments, exit the world stage in order to refocus on their home markets. When these institutions regain their strength and start venturing out again, however, they may well find Chinese and other Asia-Pacific banks ensconced and thriving in many parts of the global marketplace - and ready to challenge them on their home turf...
...first, 168 college students were asked to imagine themselves being the central character in two stories. In the first story, they graduate from college and then find a job with a major company that has a well-appointed lobby and swank office furniture. In the second story, the participants are asked to imagine losing a ticket to a concert but then finding it and heading out to the show. The first story is designed to prime readers with an intensified desire for prestige; the second story has no such effect...