Word: findings
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Dates: during 1950-1959
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...grumbled that Cabinet ministers were being humiliated and sabotaged by "someone" at the royal court. Last week Leopold summoned Premier Eyskens to Laeken palace, began by blustering that the press attack on him "has to stop!" ended by saying resignedly that "I will leave Laeken; you must find me another place to live." Leopold's preference: the 18th century Villa Belvedere, just across the street from Laeken, once (under the second Leopold) occupied by royal mistresses. The government's countersuggestion: the Belgian royal villa at Grasse in Southern France, far from Laeken and King Baudouin. At week...
...Britain's East African Uganda Protectorate, African leaders try for independence, but also find things closer at hand to fight against. Three months ago, disgruntled Buganda political leaders formed the Uganda National Movement and declared an economic boycott against non-African bus companies, shops, and products. Picketing gangs stood outside rural Indian stores to keep farmers away by force, to the delight of African merchants down the road, who promptly raised their prices. Two hundred Africans who own cars have made a mint as taxi operators since a boycott was declared against the white-owned bus line...
...creator: a trim, urbane Englishman named Alex Reeve, 58, who turned up at Howard Payne more than two years ago as speech professor, after 14 years as a director at the Royal Theater and Opera House in Northampton, England. When Reeve descended on Brownwood, he was appalled to find that Shakespeare had not been presented there professionally for 40 years and not even by amateurs for 20 years. He promptly put the Bard and his students in the same corral. Instead of "a wood near Athens," Reeve's Dream is set on a Texas ranch in the 1880s...
...wall on impulse. He alternated between exhausting stretches of work and months-long alcoholic bouts. But as an artist he believed in being both cool and controlled, recommended billiards as a fine training for any beginner. "On that green surface and within that frame." Carles said, "he will find the equilibrium, symmetry, triangulation, direction, motion and restraint...
Like most painters. Carles hoped for public confirmation that his new abstract direction was valid. In the socially conscious U.S. art world of the 1930s, such confirmation was not forthcoming. (In 1936 Leger visited him in Philadelphia, was amazed to find "anything like this going on in America.") Carles began painting and repainting the same canvases until they were too heavy to lift. The World War II migration of Paris painters -Chagall, Mondrian et al.-to Manhattan finally produced the understanding audience Carles longed for, but it was too late. In 1941 Carles suffered a stroke, and though he lingered...