Word: fine
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Dates: during 1930-1939
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...Student Council has written a damning criticism of what the Harvard Fine Arts department gives its undergraduates. It has damned it for over-emphasis on detail and chronology, for its failure to treat the Fine Arts as one of the humanities, and above all for its utter lack of an integrated educational policy. Daring for the first time to criticize a department, the Council has fulfilled its highest function of canalizing student opinion and supporting it with careful research. And it has asked for the reinstatement of Robin Feild...
Charioteer. Alfred Barr was then 27, an associate professor of fine arts at Wellesley. Born in Detroit, brought up in Baltimore, son of a Presbyterian minister who had a taste for medieval art, he had majored in science until his last year at Princeton, intending to become a paleontologist. This training served him well when he came to deal with the data of Dada. After graduate work in art and archeology, he taught at Vassar, Harvard, Princeton, and launched at Wellesley in 1926 an ambitious course in modern art. It involved "driving a seven-or eight-wheeled chariot," handling...
...time. He got a secretary and five small exhibition rooms in a Fifth Avenue office building. The trustees met for the first time in October, armed with pledges for $200,000. In November the Museum of Modern Art opened its doors with an exhibition of Lillie Bliss's fine Cezannes and other first-rate French paintings borrowed by President Goodyear in Europe. Reporters discovered young, lean, black-haired Mr. Barr looking tired, a description which it has been safe to apply ever since. The way people piled in, it might have been Madison Square Garden...
...thermolux (a translucent sandwich made of spun glass insulator between two sheets of plate glass), galleries with collapsible walls, library, auditorium, projection rooms and roof terrace. The chairs and desks which furnish it (by van der Rohe, Breuer, Aalto, et al.) are in themselves a show of industrial fine...
...serious and often whimsical scrutiny. A small piece by Winslow Homer entitled "Class Day at Harvard" should provide much amusement for seniors who are about to take part in that annual function a few weeks from now; and the Currier and Ives print called "Kiss Me Quick" is a fine example of a Victorian method of amatory advance--now unfortunately outmoded. On the other hand, there are many paintings in the exhibit which are worth serious consideration because of their intrinsic value as works of art. Such a one is Homer's watercolor, "The Berry Pickers," in which the artist...