Word: fines
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Dates: during 1990-1999
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...know now, however, that it is Einstein's theory that ultimately fails. On extremely fine scales, space-time, and thus reality itself, becomes grainy and discontinuous, like a badly overmagnified newspaper photograph. The equations of general relativity simply can't handle such a situation, where the laws of cause and effect break down and particles jump from point A to point B without going through the space in between. In such a world, you can only calculate what will probably happen next--which is just what quantum theory is designed...
...rich at play and the yearning of Ripley, who wants that good life so much he'd kill for it. Inhabiting this very dolce vita is a quintet of smart-looking young performers--Jude Law, Gwyneth Paltrow, Cate Blanchett, Philip Seymour Hoffman and Jack Davenport--giving vigorous life and fine shading to roles of wealth or breeding. They parade their star quality (or supporting-actor quality) not by screaming and cussing Method style but by radiating an unforced glamour that recalls Hollywood in its Golden...
...progress from callow kid to elegant arriviste. "Wonderful to sit in a famous cafe," he thinks after his first murder, "and to think of tomorrow and tomorrow and tomorrow being Dickie Greenleaf!" For all his tomorrows, Tom gets to steep himself in la Dickie vita. He lives in a fine house near Paris with a handsome blond wife who is blessedly indifferent to his shadier activities. From Dickie's estate and from the profits of an art-forgery racket, Tom has an income that gives him the leisure to paint, garden and commit the odd homicide. His whole life...
...sopping? He steps in more puddles than Gene Kelly in Singin' in the Rain. (Ten years the family rented the same flooded ground floor, and no one thought to lay a plank from the doorway to the stairs.) The three boys playing Frank at 7, 11 and 15 are fine. They create a collective portrait of a child tough enough to survive a horrendous youth and a man brave enough to recall...
Taymor keeps the eye as busy as the ear; she embellishes the story without disfiguring it. There's room in her bestiary for fine performances, a pretty collision of histrionic styles. Cumming preens, Lennix schemes, Lange smolders. Then all cede to Hopkins, who, in the suitably grisly finale, serves up Titus as Hannibal Lecter with a noble vengeance. Rare and well done...