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...eight to the Core, and the remaining quarter to electives. But unlike in Gen Ed, the student with a sincere desire not only to learn modes of inquiry, but also to gain an educated person’s familiarity with a subject outside his major—be it Fine Arts 13, History 71, or Shakespeare—must do so by sacrificing two of a precious eight elective slots. These slots are also expected to suffice for truly far-flung intellectual exploration, such as cross-registration, freshman false starts, or esoteric departmental offerings. Even students who wish to take...

Author: By The Crimson Staff | Title: A Time to Modify | 6/2/2008 | See Source »

...survivors stands on a hill everlooking the remains of the bridge, its builder, and its destroyers, murmuring, for very good reason, “Madness...madness.” Such fine touches of irony pervade the film, giving it a refreshing tartness that most war movies lack. Boulle has packed into his screenplay all the elements a good war movie ought to have: torture, escape, death, destruction, heroism, sacrifice, and so forth. But everything is seen freshly, with the eye of an artist instead of a hack...

Author: By Julius Novick | Title: At the Gary: The Bridge on the River Kwai | 6/2/2008 | See Source »

...problem is more difficult. The best expedient would seem to be allowing all prospective cakemen to compete for the franchise each year, forcing the incumbent to show that he was providing quality and service at a fair price. If not, bureaucratic stagnation could easily set in, and overshadow the fine effects that the creation of Harvard Student Agencies, Inc., should have on the student employment field here...

Author: By The Crimson Staff | Title: ...Who Help Themselves | 6/1/2008 | See Source »

China's Pain I bought your magazine because of the cover photo showing the hand of a dead victim of the Chinese earthquake [May 26]. As a Chinese citizen studying in Australia, I would like to thank you for your fine cover story and objective comentary. Jizong Fang, Sydney...

Author: /time Magazine | Title: Inbox | 5/29/2008 | See Source »

...Carters did not begin as boundary breakers, artistic or otherwise. Rob, 39, trained as an advertising photographer; Nick, 38, studied painting and fine arts. They met in school when they were both 16, married a decade later and might have expected a traditional life in traditional fields. But then they started fooling around with light and color...

Author: /time Magazine | Title: The Carters | 5/29/2008 | See Source »

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