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...scale of the Australian industry, and concentrate instead on smaller volume but much more complex wines. South African producers are pushing hard into new markets, too, including Germany, Russia, the U.S. and Sweden, which alone now takes 10% of South Africa's exports. So far, the strategy is working fine. "Our capacity to grow is fairly limited," says Sue Birch, chief executive of the industry body Wines of South Africa, "so if we're going to be a niche player it is important to make a really premium product." Producers still have one problem in common with the French: even...

Author: /time Magazine | Title: A Taste Of Success | 10/19/2006 | See Source »

...excuse the violence, but it has always seemed to me a precariously fine line to expect football players to keep their gladiatorial rage precisely within the culturally-condoned confines of the sport—between the sidelines and between whistles...

Author: By Jonathan Lehman, CRIMSON STAFF WRITER | Title: AROUND THE IVIES: Athletes Throwing Punches, Not Passes | 10/19/2006 | See Source »

...production of “Bette and Boo” for the A.R.T. in 1998, on his choice of script. “It balances some very dark humor with some very delicate heartbreak. I don’t know of many scripts that are able to walk this fine line so successfully.” Producer Aileen K. Robinson ’08 describes the story as “funny, and also sad at the same time. Very real. Not everything is pleasant in their lives.” The play was written by Christopher F. Durang...

Author: By Lee ann W. Custer, CONTRIBUTING WRITER | Title: HRDC and Stern Make Sure ‘Bette’ | 10/19/2006 | See Source »

...Dean’s Office decided that it was totally fine for U-Hauls to come back,” Drake said, adding that both the Boston Police Department and the College agreed they were safe...

Author: By Katherine M. Gray, CRIMSON STAFF WRITER | Title: Tailgaters Must Apply for Space | 10/18/2006 | See Source »

Royal protocol aside, the 2006 Japan tour might be remembered as the year the Sydney Symphony got its ears back. In the six years since its last overseas tour, the orchestra has been largely confined to the acoustically murky Sydney Opera House. By contrast, "Japan is full of fine concert halls," says violinist Dene Olding. "They make quite a science of the acoustics." Indeed, baritone soloist Jos? Carbo says he has never sung on a better stage than Tokyo's. "It was such a crisp, true rebound," he raves. With singing, he explains, "it's the monitoring of what...

Author: /time Magazine | Title: Harmonic Convergence | 10/16/2006 | See Source »

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