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Paintings can go hang. Handmade tiles from the London studio of ceramic artists Nita Rege and Bessie Turner bridge the gap between fine art and function. Imprinted with images of everyday objects - knives and forks, faucets, martini glasses - and rendered in one of six pale glazes, the tiles can be applied in volume or in smaller numbers to add a decorative flourish. "I'm fascinated by functionalism, but we approach each piece as an artwork," says Rege. "Some people even frame and hang them." Rege's life on the tiles began after Turner, a fellow graduate in ceramics from Edinburgh...

Author: /time Magazine | Title: Wall Mart | 12/18/2005 | See Source »

...sends up distinctly American work conventions (the staff party at Chili's, the mandated diversity seminar), with a tone that's more satiric and less mordant. We Americans are different that way; sorry if that bugs you. The new boss is different from the old boss, and that's fine...

Author: /time Magazine | Title: Best of 2005: Television | 12/16/2005 | See Source »

...undergraduate population broadly enough to justify their triviality (like extended dining hall hours) nor are they as pressing as a host of other issues that pertain only to a small number of Harvard students (improved accessibility in campus buildings, for example). Objectively examined, life in the Quad is just fine for those who live there, and indulging Quadlings’ flowering victim-hood complex serves no one’s interests...

Author: By Adam Goldenberg | Title: Nightmare on Garden St. | 12/16/2005 | See Source »

There is a fine line between humiliation and degradation, and “Stone” teeters across that line precariously. It strings the audience along through a painfully awkward holiday movie that never finds an appropriate medium between comedy and drama...

Author: By Jessica C. Coggins, CONTRIBUTING WRITER | Title: The Family Stone | 12/14/2005 | See Source »

...robbers car-chase sequences. Unfortunately, despite multitudes of overly-tan men with enormous sideburns, the original “Gone in 60 Seconds” can’t hold a candle to director Dominic Sena’s 2000 remake—skipping the “fine wine” stage, aging has just turned the film to vinegar. The greatest failing of Halicki’s supposed masterpiece is the script. A significant amount of dialogue is given as voice-overs during car-chases or while the main characters are repairing stolen vehicles in the auto shop...

Author: By Erin A. May, CONTRIBUTING WRITER | Title: DVD Review: Gone In 60 Seconds (1974) | 12/12/2005 | See Source »

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