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Maybe so, but when you correct certain problems in the postmodern novel--its cartoonish characters, its repetitive paranoia and absorption in Big Patterns--you get a better book. The Corrections does not "solve" the mystery of family life, but it renders its mysteries with the fine filament and moral nuance they require. There are already an impressive 90,000 copies in print. While that's not quite John Grisham territory, Franzen has so far made more than a million dollars. This could be another reason why he's feeling optimistic about the literary novel these days. He may be right...

Author: /time Magazine | Title: Books: Great Expectations | 9/10/2001 | See Source »

...their hair. But unlike Ryan, which bared its fictional GIs' souls, Brothers fatally neglects to turn its cast into distinguishable characters. Combat flattens out nuance in personality, and Brothers teaches us little about its soldiers outside battle. An exception is Easy's leader, Richard Winters (Damian Lewis); the fine, Hanks-directed fifth episode explores Winters' trauma after he shoots a German point-blank, but in later episodes Winters reverts to a valiant cipher...

Author: /time Magazine | Title: Television: Back To The Beachhead | 9/10/2001 | See Source »

...unilateralist. The world is too complicated for anyone to be unilateralist. In every Administration, there are many voices. But the only voice I really listen to is the voice of President George W. Bush. We've all known each other for many years. We get along fine. We have our little disagreements. Sometimes we have serious disagreements. Unlike, say, the TIME editorial-board meeting...

Author: /time Magazine | Title: The Only Voice I Listen To Is The President's. | 9/10/2001 | See Source »

Powell: There may be some nuanced difference. But within a range, we usually come into agreement. I am what I am. If that sometimes puts me at odds with others, then, well, fine, and people can write about...

Author: /time Magazine | Title: The Only Voice I Listen To Is The President's. | 9/10/2001 | See Source »

...Fast-forward to Jang's latest project, Resurrection of the Little Match Girl, a big-budget cyberfantasy that he's shooting in the southeast port city of Pusan. On location there isn't a whip or handheld camera in sight. A sleek stunt team from Hong Kong bustles about, fine-tuning a barroom shoot-out featuring a gunslinging, transgender Chinese starlet. You can afford that with a $5.5 million budget, which makes this Korea's priciest film production of all time. Forget the art-house crowd. This time Jang is worried about pleasing his investors and drumming up big ticket...

Author: /time Magazine | Title: Korea's Big Moment | 9/10/2001 | See Source »

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