Word: fines
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Dates: during 1873-1873
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...afraid that most of us are losing a fine opportunity for studying real works of art under the best possible circumstances, and this is because, in spite of a few brief notices, information on the subject is still lacking...
...Fine writing, we are confident, is not the desideratum in a college paper of the present time. Our numerous predecessors aspired to long and highly literary articles, and failed; their wrecks, scattered along the course of college journalism here, serve to warn college papers of the present day not to follow their course, if they would prosper. That this ought not to be the case is clear from one point of view. A college paper ought to present to the world a specimen of the best intellectual productions of the undergraduates. But the best men in college will not write...
...condition. Two new features of enjoyment have this year been introduced, through the enterprise of the present Sophomore Class, though they are in no wise intended to interfere with its distinctively literary character: first, singing in the Yard, which exhibits excellent training, and shows the society to possess many fine voices; second, occasional theatrical entertainments. For this purpose, they have enlarged the stage in Upper Holden, and obtained a proscenium, curtain, and an excellent stock of scenery. The first performance takes place this evening, and we have no doubt will prove highly successful...
Very much like this fine old school was and is that of Gray Friars, the name of which reminds us that it too was established in one of the monasteries of that great order now hardly represented but by the monks of the Grande Chartreuse. The founder of Gray Friars, however, was not a king, but a very ordinary person, though wise beyond most men in the disposal of his fortune, - one Thomas Sutton, whose death, December 14, 1611, is yearly commemorated on Founder's Day by the whole school, as all will remember who have read the Newcomes, though...
...when all the other artists and the entire support are so very poor. Mlle. Ilma di Murska has certainly a brilliant voice and marvellous execution, but is not a singer who appeals to the feelings, nor does one care to hear her many times. Tamberlik may have been a fine singer twenty-five years ago, but at present he is not much superior to Mario, the prince of broken-down tenors. In fact, the combination of Mme. Rudersdorff and Tamberlik, occasioned by the illness of Mme. Lucca, is something unprecedented, and forcibly suggests the idea of the "music of bygone...