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When the first installment of Don Barlett and Jim Steele's examination of corporate welfare appeared in November 1998, TIME was proud to present investigative journalism at its finest--reporting that is as much explanation as it is sensation and that exposes what those in power probably would prefer ordinary folks not see. The series demonstrated why the Washington Journalism Review called Barlett and Steele "almost certainly the best team in the history of investigative reporting." Their four-part "Corporate Welfare" series earned the pair eight major journalism prizes, including the 1999 National Magazine Award for Public Interest. And last...

Author: /time Magazine | Title: They Followed the Money | 2/7/2000 | See Source »

...might be a season of drugs or insanity, or both. Still, musical success has arrived. It's a well-worn tale, but we never tire of hearing about these divas of our day. And the publishing industry is ever eager to oblige. Here are some new tomes about our finest songstresses...

Author: /time Magazine | Title: Then & Now: Ladies Sing the Blues | 1/31/2000 | See Source »

...This ambitious plan for science and engineering is a crucial element in Yale's strategy to remain among the very small number of universities that are considered the finest in the world," said Yale President Richard C. Levin in a press release...

Author: By Marla B. Kaplan, CRIMSON STAFF WRITER | Title: Yale Commits $500 Million To Science Drive | 1/21/2000 | See Source »

...ironic that an institution that was established in part for the study of garden scholarship and as the repository of Bliss' unique collection of rare horticultural and historic garden books should be involved in the possible destruction of one of the country's finest gardens...

Author: NO WRITER ATTRIBUTED | Title: Letters | 1/14/2000 | See Source »

...among Modernists, this must have seemed heretical. And even more so was Phillips' rapturous appreciation of Pierre Bonnard, whom he prized as much as he did Matisse, while most American pundits were dismissing him as a very delayed Impressionist. In the end, the Phillips Collection was to own the finest group of Bonnards in America, and one can easily see their influence pervading the American artists who saw them: how Bonnard's fierce but modulated color and his love of diagonal cuts in the scaffolding of his compositions affected young Richard Diebenkorn, for instance, when he was a Marine based...

Author: /time Magazine | Title: Art: A Livable Treasure-House | 1/1/2000 | See Source »

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