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Many of the finest works went to German museums eager to recover treasures from the German past and take up the Bonn government on its offer to foot half the cost of their purchases. The State Museum in Berlin paid the top price of the auction: $2,214,000 for a gleaming Mosan medallion made in A.D. 1150 for the Abbey of Stavelot in Belgium. On behalf of the Nuremberg art museum, a London dealer paid $2,029,500 for another 12th century enamel, an arm ornament made for Holy Roman Emperor Frederick Barbarossa's coronation robe...

Author: /time Magazine | Title: BRITAIN: The Sale of the Century | 7/3/1978 | See Source »

Almost lost in the flying millions was the memory of the man responsible. Born in Frankfurt in 1883, Von Hirsch began working at the turn of the century in the Offenbacher leather firm owned by his uncle. He eventually built it into one of the finest such companies in Europe. (The Grand Duke of Hesse enabled him to add the aristocratic von to his name by making him a baron.) Von Hirsch bought his first painting, a Toulouse-Lautrec, in 1907, and about that time also picked up a canvas dated 1901 by a 26-year-old Spaniard named Pablo...

Author: /time Magazine | Title: BRITAIN: The Sale of the Century | 7/3/1978 | See Source »

Autre Chose features some of the finest French dishes in the Cambridge area; the restaurant also sports a surprise: the very reasonable prices. In addition, the atmosphere is relaxed but not noisy...

Author: NO WRITER ATTRIBUTED | Title: Dining Out in Style | 6/26/1978 | See Source »

...seconds of sustained agony in a moderate headwind to cover the unusually slow course, but Harvard was not to be denied its revenge. Parker would say afterwards that his outsized team (Yale averaged 10 pounds more per man) won on courage and raw determination, giving him "by far the finest effort any boat ever made for me. They guys rowed a gutsy race all the way," Paker said...

Author: By Jon Ledecky, | Title: Heavyweights Salvage Season | 6/26/1978 | See Source »

...world's largest stage with a two-hour floor show to rival the biggest movies in MGM history. He has created similar shows on four continents during his 30-year career as king of showgirl spectaculars. Says Arden: "I find the prettiest girls, put them in the finest feathers and then sink them on the Titanic or burn them up in the Hindenburg. Nobody can do girls and gimmicks like me." The Reno production, his most lavish ever, cost $5 million, but the result is a show that would have made MGM's former titans jubilant. Herewith...

Author: /time Magazine | Title: Show Business: Well Hello, Reno, Hello | 6/19/1978 | See Source »

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