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TRUE GRIT offers ample proof that John Wayne is alive and well at 62. In possibly his finest role, the Duke plays a hard-drinking frontier marshal who hires on with a teen-age girl (Kim Darby) to bring her father's murderer to justice. Wayne quite obviously has the time of his life, and movie audiences will find that the feeling is infectious...
...Vladimir Nabokov. A long, lyric fairy tale about time, memory and the 83-year-long love affair of a half sister and half brother by the finest living writer of English fiction...
...Nixon has begun to withdraw U.S. troops from Viet Nam in what is obviously an effort to cut losses and repair mistakes, he made an extraordinary statement. "In this dreary, difficult war," he said, "I think history will record that this may have been one of America's finest hours, because we took on a difficult task and succeeded." Viet Nam has unquestionably been a difficult task, but to say that the U.S. succeeded there -or to use a phrase that equates the U.S. performance with Britain's fight for survival in 1940-seemed almost grotesquely inappropriate...
...three epochs. In the first, the island was inhabited by "the Others," who, according to native tradition, "were yellow, very big, with long arms. They came by boat from a land that lies beyond America." It was the yellow men, Maziere believes, who created the first stone giants, the finest sculptures on the island. In the second epoch, which in Maziere's rough chronology began in the 13th century, the island was invaded by Polynesians who struggled for supremacy until, at the start of the third epoch, they succeeded in incinerating the yellow men in a volcanic ravine...
...scene at school shows the regimentation of German education. The classroom's chaos before Jannings' arrival yields to rigidity when he sits at his desk; but a prank subverts his authority and takes him to the entertainment district that night. Here huge shadows and trap-like streets, in the finest tradition of German Expressionism, stress his fears of this setting, fears augmented inside Dietrich's dressing room by a clown and a "professor" of magic who implicitly mock Jannings' position. The impingement of settings and objects on Jannings' security climaxes in a song sequence where Jannings seated in a theater...