Word: finger
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Dates: during 1970-1979
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...before going down," Park said yesterday. On the other hand, however, the squad returned with several new question marks, such as Dave St. Pierre, who pulled a hamstring the second day out and may be lost for up to two weeks. Second baseman Ric LaCivita with a finger sprain and catcher John Friar with a pulled hamstring are also questionable for today's opener...
...part of a set of three short plays in which Coward starred in London in 1966. The curtain-raiser, Come into the Garden, Maud, is a fast five-finger exercise about a middle-aged American millionaire in Europe and his vile, blue-haired wife, whose hobby is collecting titled Europeans. With a witty tenderness, Coward has the amiable golfing millionaire, clad in Hush Puppies and a loud sport jacket, fall in love with a minor Italian princess and abandon his harpy wife. The talk is frequently funny: the husband dismisses one of his wife's friends as being...
...blame for this pathetic stageblight? The accusing finger has to be pointed at the three producers, who brought the show here after a commercial success Off-Broadway in New York, and the five authors, who wasted good paper and ink writing it. There is no need to list their names. Hopefully they will continue to bask in the obscurity they now enjoy...
...considered manipulable, formable, breakable, at the last; whenever he is considered to be of no intrinsic worth, but only a thing, a useful thing or a useless thing; whenever the human being is mocked and broken, and right and wrong fall silent or are cast out, the admonitory finger of Solzhenitsyn points as firmly at us as it does at his own countrymen. He reminds us that the place "beyond freedom and dignity" is a place of cruelty and terror, where the justice and beauty and worth of a human life are trampled into the dust. And he reminds...
...worked with him in seven plays, describes his performances as "very physical." Nowhere is that physical vocabulary more apparent than in his portrayal of Julian Weston. Neither obtrusively limp-wristed nor so-straight-you'd-never-know-he-was-one, Moriarty captures Julian with a slightly fluttering finger, a momentarily stuttering step, the almost imperceptible lift of his chin. It was not easy to accept the role of a homosexual, he confesses, "because it deals with an area of yourself you don't normally have to deal with." But, he reasoned, if he let his reluctance stop...