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Word: fingerboards (lookup in dictionary) (lookup stats)
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...highlight of the evening. Truly a vessel for the music, Koh moved with the orchestra and with the conductor, his closed eyes suggesting deep emotion and intense concentration etched across his face. Koh moved his arms with fluidity and athletic agility, his fingers nimbly scaling up and down the fingerboard of his cello to produce a rich, deep, and confident sound that swirled upward to the top of Sanders Theatre...

Author: By Victoria D. Sung, CRIMSON STAFF WRITER | Title: Koh Is a Standout In HRO Concert | 12/3/2007 | See Source »

Violin virtuoso Louise Behrend, 87, maintains a studio for 30 students, mentoring kids more than 80 years her junior. "What you don't use, you lose," she says, explaining why her hands are nearly always hovering over her violin's fingerboard. "Playing violin is one of the few activities that use your entire being--your mind, body and emotions," she notes...

Author: /time Magazine | Title: Still on the Beat | 3/15/2004 | See Source »

DIED. NARCISCO YEPES, 69, classical Spanish guitarist who redesigned his beloved instrument, adding four strings, to accommodate his technical prowess; of cancer; in Murcia, Spain. Fans took to Yepes' theme song to Rene Clement's Forbidden Games (1951), but his peers never accepted his 10-stringed fingerboard--despite the enhanced resonance under his deft touch...

Author: /time Magazine | Title: Milestones May 19, 1997 | 5/19/1997 | See Source »

...proponent of new music, Fisk brought works ranging from Scarlatti to Rochberg to his program. In doing so, he demonstrated the guitar's unique position as a middle ground between the harpsichord and the violin; the guitar's strings are plucked like the harpsichord's, but it has a fingerboard like a violin. As a result, classical guitarists can create a wide variety of effects culled from the repertoires of both instruments...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

Throughout four Scarlatti keyboard sonatas (in D Major, G Major, E minor and A Major), Fisk's concentration on the fingerboard and frets never lapsed. He did take some liberty with the first two sonatas by allowing for dynamic contrasts and a ringing bass line that would be impossible on a harpsichord. Fisk might have expanded these liberties to include a thinning of the sonatas' ornamentation, whose technical difficulty sometimes weighed down his otherwise ebullient accounts. In the E minor sonata, Fisk allowed himself to be tossed easily between its simple lines with more delicacy than one would expect from...

Author: By Daniel Altman, | Title: Fisk Embellishes Classical Guitar | 3/9/1995 | See Source »

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