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...Gore ever looks in public, then turned to the basket and, with exaggerated ease, lofted the ball into the air. It swished through the hoop perfectly, catching nothing but net, and the kids shrieked in delight; Gore got the ball back and spun it smartly on his index finger. As he left the court, he turned to the children and said, "Those who don't make the team, keep trying. Repetition--practice--is the key to success...

Author: /time Magazine | Title: CAN AL GORE BARE HIS SOUL? | 12/15/1997 | See Source »

...what his advisers did not--that staying home would hurt him more than going, because it would further undermine a reputation for deep seriousness that's taken a beating in the windblown Clinton White House. "I have become very impatient with my own tendency to put a finger to the political winds and proceed cautiously," Gore wrote in Earth in the Balance. "When caution breeds timidity, a good politician listens to other voices...

Author: /time Magazine | Title: CAN AL GORE BARE HIS SOUL? | 12/15/1997 | See Source »

...odds, several works manage to distinguish themselves from the more academic studies in the show. Dave Steiner's two hilariously captivating oil drawings explore his psychological relationship with a grinning frog doll, possibly a cousin of Kermit. "Froggy with Orator" depicts a man sitting behind a table, one index finger raised in exclamation. But the orator's bulging-eyed companion doesn't seem to be listening as he charmingly mugs for us on the right side of the table. Another monochromatic oil drawing casts the orator as a distraught mourner poised over the prostrate body of his friend. The work...

Author: By Scott Rothkopf, CRIMSON STAFF WRITER | Title: Breaking the Mold | 12/12/1997 | See Source »

...plight of the Africans so as to equate any and all adversaries they might have, whether they be Spanish slave traders, greedy British sailors or the American legal system--which he only later in the movie realizes is actually defending them. His treatment seems to raise a long, accusatory finger at somebody, but doesn't make clear who, so that while nobody is actually defending slavery during the body of the movie, the audience comes away with a sense that they need to feel guilty about something...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Long, Soggy, Overwrought 'Amistad' Plays Heavily on White liberal Guilt | 12/12/1997 | See Source »

...this "updating" cleverly defuses the touchiest issue inherent in The Mikado: Gilbert and Sullivan's mythicized Japan is based in large part on condescending and underinformed Victorian colonialist views of the Far East--and, while nobody really wants to point the finger of accusation at the most beloved of English musical comedians, the fact is that the authors' presentation of other nations and peoples were often less than politically correct. (After all, some of the original lyrics to "I've Got a Little List" would make modern audiences' ears burn). Contemporary productions of the play often transfer the setting...

Author: By Susannah R. Mandel, CRIMSON STAFF WRITER | Title: 'Mikado' Through Anime Eyes | 12/12/1997 | See Source »

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