Word: fingers
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Dates: during 1950-1959
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...Frenchmen last week examined the results of their two-week electoral spree, they seemed to have the slightly dismayed air of a finger painter surveying his own handiwork. They knew what they were voting against (the old gang), but were now surprised by what they had voted for. Even Charles de Gaulle himself had not wanted the kind of right-wing majority he got. He had insisted on a single-constituency method of voting that was presumed to favor familiar names (principally the Socialists and Radicals) over a grab bag of unknowns styling themselves Gaullists, some of them able, many...
...investigators to look into management's books and labor's demands. By the time a dispute reached the mediation stage, he and his arbitrators were ready, willing and prolabor. Once, after a long wrangle with a group of representatives of management, López Mateos tapped his finger on the table for attention. "Gentlemen," he said. "Perhaps you did not notice the sign over the door. It says Secretary of Labor. I am here to represent labor." In six years López Mateos' office handled 62,191 disputes, let only 13 grow into strikes...
...controls Tennessee. Lyndon Johnson certainly doesn't have to worry about Texas, and probably not very much about the rest of the Southwest. But Richard Russell and Harry Byrd will have a large voice in the direction of the South's bloc of votes, and if Lyndon puts the finger on someone whom they don't like, they will not be desultory about saying...
...kindness in returning a rich matron's purse was rewarded with no reward: a policeman rapped a lone apple from his hand; he bungled his temporary job as a dishwasher. But at last a kindly stranger invited him to share his turkey dinner (fastidious Freddie, presented with a finger bowl, carefully daubed his armpits). By the time bird-sick Freddie woke up in the hospital to find a beaming Florence Nightingale holding out a tray of turkey dinner to him. Pantomimist Skelton had put together perhaps the most rewarding half-hour of his TV career...
Collector-Photographer (LIFE) Eliot Elisofon, who organized the show, put his finger on what the primitive artists were after: not beauty so much as life. In fact, says Elisofon, some of the objects "were believed to be alive by their makers. An important belief of the Polynesians was in mana, an impersonal supernatural power. Sculptures contained mana." Such modern sculptors as Lipchitz, Gonzalez, David Smith and Brancusi are not far from this idea, and for mana they, too, sacrifice resemblance. "The primitive artist and the modern one," says Elisofon, "both produce more of what they feel than of what they...