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...musketeers-Oliver Reed, Richard Chamberlain, Frank Finlay and Michael York as D'Artagnan-all perform admirably. When the casting threatens to become too capricious (Raquel Welch as the Queen's confidante, Faye Dunaway as the archvillainess, Charlton Heston as Richelieu), Lester exploits the absurdity. He made the discovery, for example, that Welch and Dunaway, for all their physical dissimilarity, are basically the same actress. So a climactic brawl between them is funny not just for itself but because of the two people playing them...

Author: /time Magazine | Title: Cinema: One for All | 3/25/1974 | See Source »

...head of the whole nasty slave racket is a Caucasian pervert named Amafi (Frank Finlay), whose line of chatter runs to things like "Luck can run out even for you, my black brother." It is difficult to imagine how he rose to such a position of prominence, but his henchmen seem impressed. They chase Shaft all over Ethiopia, from desert to village and even across the water to Paris. But he eventually dispatches them all, even taking time out to discuss a clitoridectomy with Aleme...

Author: /time Magazine | Title: Cinema: Pilgrimage | 7/9/1973 | See Source »

Othello. Stuart Burge's direction of a British National Theater production, starring Sir Laurence Olivier, Maggie Smith, and Frank Finlay, is a record of an outstanding stage production. Avoiding, for the most part, the elaborate "filmic" effects of so many Shakespearean films, it shows that straight-forward filming of a play can succeed admirably...

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/1/1973 | See Source »

...actors manage to play success fully both for parody and poignancy. Especially dexterous are Janice Rule as the requisite dragon lady and Frank Finlay and Billie Whitelaw as Eddie's brother and sister-in-law. Albert Finney shows again that he is an actor of infinite resource, charm and cunning. But the part does not really test him, does not force him to extend himself and take chances. For most actors it is quite enough to be good. From Finney one has a right to expect more. · Jay Cocks

Author: /time Magazine | Title: Cinema: Private Eye Pastiche | 4/24/1972 | See Source »

Under Director Stuart Burge, the supporting cast is pallid. Frank Finlay's Iago is a meager adversary in all respects. Maggie Smith plays a resolute and poignant Desdemona, though her open, clear-eyed virtue ought to vindicate itself as easily as Iago's obvious machinations condemn him. As Cassio, Derek Jacobi seems a snub-nosed, undergraduate type whom no lion among men could seriously consider a rival...

Author: /time Magazine | Title: Cinema: One Man's Moor | 2/4/1966 | See Source »

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