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...Michael Finley scored 31 points for Dallas, which lost its sixth...

Author: NO WRITER ATTRIBUTED | Title: NATIONAL BASKETBALL ASSOCIATION | 2/27/1998 | See Source »

Walk along the western edge, and you find the dead of World War II, many of whom perished young. Charles Finley of the class of 1943, killed in Normandy in 1944. Henry Benitez of the class of '42, killed at Falaise in '44. Turner Chambliss Jr., '43, killed June 6, 1944. And so on, until you turn a corner and start finding George Tow and Samuel Coursen of the class of '49, killed in action in Korea, 1950. Over behind the Viele monument are the graves from Vietnam. There is a row in which 10 of 11 graves are occupied...

Author: /time Magazine | Title: WEST POINT, NY: TOO MANY BRAVE SOULS | 11/17/1997 | See Source »

...rush of recent albums by young performers provides part of the answer. There's pop singer Diana King with her new release, Think Like a Girl (Work Group); the hip-hop-charged star Capleton with his album I-Testament (Def Jam); and trip-hop-tinged newcomer Finley Quaye with his debut CD Maverick a Strike (550 Music). A much more established star, South African traditionalist Lucky Dube, also has a new CD out, Taxman (Shanachie). The fact that reggae, like a nation secure enough to welcome new immigrants, is able to nurture such a varied group of up-and-comers...

Author: /time Magazine | Title: MUSIC: THE ROAR OF NEW REGGAE | 11/17/1997 | See Source »

...Finley Quaye's inventive, off-kilter debut, Maverick a Strike, is also bursting with freshness and new life. His music has a sinuous reggae groove twisting through it, but it is laced with folky acoustic guitars and trip-hop electronic doodles and flourishes (he's an uncle of trip-hop maverick Tricky). It's easy for music this arty to forget about heart, but not here; on the song Even After All, Quaye turns in a tender, haunting ballad...

Author: /time Magazine | Title: MUSIC: THE ROAR OF NEW REGGAE | 11/17/1997 | See Source »

...Four are "performance artists" to whom, several years ago, the National Endowment for the Arts awarded government grants. The most famous of the performers, Karen Finley, thrilled audiences by coating herself in chocolate and doing highly inventive autoerotic exercises with sweet potatoes. Some members of Congress, worried perhaps about the inevitable outcry from the tuber-rights community, deemed this an unworthy expenditure of tax dollars. The grants were rescinded--and a cause was born. The martyrs came ready-made, as did the name with the capitalized numeral Four, lending their cause a portentous...

Author: /time Magazine | Title: AN ERA OF TINY COMMOTIONS | 10/27/1997 | See Source »

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