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...like me?" But he's right to be concerned for his brood in the fish-eat-fish world of Australia's Great Barrier Reef. A shark devours Marlin's wife and 399 of her eggs. That leaves little Nemo (Alexander Gould)--the one survivor, handicapped with an underdeveloped fin--and Marlin, burdened with an overdeveloped sense of dread. When Nemo is old enough for fish school, Dad's pessimism is again validated: the lad defiantly swims into open water, where he is scooped up by an angler--a dentist, with an aquarium in his office and a nasty, piscicidal little...

Author: /time Magazine | Title: Hook, Line and Thinker | 5/26/2003 | See Source »

Nemo's short fin--a deformity that does not slow him down one bit--became, says Stanton, "a metaphor for anything you worry is insufficient or hasn't formed yet in your child. Parents think their child's handicap is a reflection of the parent. They become obsessive and anxious over that, whether it is the child's ability to read or the way they walk. This movie says there is no perfect kid; there is no perfect father." And no guarantee that parents will ever have the answers. When Marlin asks the sea turtle Crush how a father knows...

Author: /time Magazine | Title: Hook, Line and Thinker | 5/26/2003 | See Source »

...mango-themed culinary fair (see www.singaporefoodfestival.com.sg). Singapore's food-obsessed can simultaneously enjoy the World Gourmet Summit, where some of the world's top chefs gather to discuss dining trends and to gossip about who's in and out in the cliquish world of foie gras and shark's fin soup (go to worldgourmetsummit.com...

Author: /time Magazine | Title: At the United Nations of Food | 3/31/2003 | See Source »

...then leader of the Fauves--the wild beasts--whose abruptly brushed, feverishly colored canvases had taken the lessons of Van Gogh and Gauguin to the inevitable far reaches. Pablo Picasso, 12 years younger, was still little known and working--though sometimes to surprising effect--with the dwindling resources of fin-de-siecle Symbolism. Both men were coming to grips with Cezanne and the means by which he represented space--with shallow patches of pigment that create the illusion of depth but still assert themselves as smears of pigment on the surface of the canvas. Matisse was the first to grasp...

Author: /time Magazine | Title: Art: When Henri Met Pablo | 2/24/2003 | See Source »

...already devised a way to catch up,” said Professor of German Peter J. Burgard, who cancelled yesterday’s meeting of his course, Literature and Arts C-65, “Repression and Expression:Literature and Art in Fin de Siecle Germany and Austria...

Author: By David B. Rochelson, CONTRIBUTING WRITER | Title: Snowstorm Sacks School | 2/19/2003 | See Source »

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