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...school that has rarely fared well in public esteem, expecially in the U.S. Fin de sičcle examples were customarily tainted by a kind of Wildean flounce, or could be made to seem so. More often the doctrine has been propounded to excuse artistic self-indulgence, sheer gush, or at best the refined outpourings of private feeling. None of these excesses apply to Nabokov. Few writers have brought to the practice of art for art's sake?or indeed to thematic literature?the enormous talent and discipline, the overwhelming intellectual grasp, the scrupulously objective range of eye and ear that...

Author: /time Magazine | Title: Books: Prospero's Progress | 5/23/1969 | See Source »

...Eighth Symphony, Richard Strauss's Symphonia Domestica and Alpine Symphony, Schoenberg's Pelleas and Melisande and Gurre-Lieder, Scriabin's Poem of Ecstasy were all part of an increasingly grotesque effort to revitalize the nineteenth century musical syntax. Munificently colored cathedrals were raised upon the collapsing sands of lurid fin-de-siecle romanticism. Self-paralysis, excruciating self-examination, and creative resumption along new paths followed this cataract...

Author: NO WRITER ATTRIBUTED | Title: The Musical Avant-Garde | 5/15/1969 | See Source »

...youth was fin de siècle; her philosophy was fin du monde. She was an earthly personification of Emily Dickinson's inebriate of air and debauchee of dew, stoned on life and art. In answer to the question, "What gods has mankind worshipped?" Dancer Isadora Duncan once replied: "Dionysus - yesterday. Christ - today. After tomorrow, Bacchus at last!" In short she was the quintessential bohemian, the ideal subject for a screen biography. The Loves of Isadora supplies the ideal object: Vanessa Redgrave, whose enactment of Duncan carries with it an exquisite sensitivity and a formidable intelligence...

Author: /time Magazine | Title: New Movies: Daughter of Bacchus | 4/18/1969 | See Source »

...woman of dreams, the woman of lust and woman the nun," Edvard Munch once confided. The Norwegian fin de siècle painter was explaining one of his favorite compositions, which showed three women standing together-one in black, one in white, one nude. He used this trio in several different canvases, known collectively as "the Sphinx" cycle. They epitomized, as no other subject could, the shy, alcoholic bachelor's agonized obsession with that half of the human race which he never was able to understand...

Author: /time Magazine | Title: Lithography: Three Faces of Eve | 2/21/1969 | See Source »

...fin and fur doubleheader, Lee Wulf fishes for tuna in Newfoundland and Rick Jason guns for grizzly bear in the wilds of British Columbia...

Author: /time Magazine | Title: Television, Theater, Cinema, Books: Jan. 24, 1969 | 1/24/1969 | See Source »

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