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...plane looks like a bigger, burlier version of Convair's supersonic F-102 jet fighter interceptor: like the F-102, it has a needle-nosed, coke-bottle fuselage with sharply swept delta wings and high, shark's-fin tail. The Hustler appears to be about 100 ft. long 60 ft. from wingtip to wingtip, roughly comparable to the current Air Force standby, Boeing's 600-m.p.h. B-47 medium bomber. But where the B-47 has six General Electric J47 (5,800 lbs. of thrust) engines, Convair's new B58 gets its supersonic hustle from only...

Author: /time Magazine | Title: AVIATION: Supersonic Bomber | 9/17/1956 | See Source »

...Getting Married and Candida, is not a great one. There is virtually no action; and the characters are on the whole rather two-dimensional. The entrances and exits are handled somewhat awkwardly; and the play's focus is not consistently clear. Ibsen had not yet reached that lofty fin-de-siecle peak that only Strindberg would eventually share with him. Nevertheless, no other play of Ibsen has so much sparkle and wit as Love's Comedy...

Author: By Caldwell Titcomb, | Title: Love's Comedy | 8/9/1956 | See Source »

...took some friends to Au Bec Fin, an excellent French restaurant, and a four-course luncheon cost less than $1 a person," the wife of a U.S. businessman who lives in Buenos Aires reported last week. "Movies at five cents, sugar at a penny a pound-if Americans would like the fine, careless rapture of living in 1956 with such items on their budgets, all they have to do is to take the next plane to Bolivia," a U.S. woman wrote from Cochabamba. With the forces of exchange legalization, runaway inflation and currency liberation variously at work, dollar-earners...

Author: /time Magazine | Title: THE AMERICAS: Bargain Living | 5/21/1956 | See Source »

...Fin de Siecle Writing...

Author: By Edmund H. Harvey, | Title: A Half-Century of Harvard in Fiction | 12/1/1955 | See Source »

Actually, The Count At Harvard is an attempt to apply the slick amoralism of the fin de siecle approach to a story about a Harvard man. Roger Norris, alias the "Count," is a suave, charming n'er-do-well who drops Wilde-like epigrams on every possible occasion. He is lightly cynical about everything, except for one brief time when he meets a "good," serious and proper girl. She, however, rejects his suit, because the Count is not a very good security risk. The Count does not let this overly effect him, and returns to his flippant outlook. The most...

Author: By Edmund H. Harvey, | Title: A Half-Century of Harvard in Fiction | 12/1/1955 | See Source »

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