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...answer becomes understandable when the two fin-tailed monsters are identified. They were the first operational A-bombs ever built. "Little Boy," the slimmer of the two, was a duplicate of the 10-ft.-long, 9,000-lb. bomb that decimated Hiroshima. The 10,000-lb., spheroid "Fat Man," with its 5-ft. girth, crushed Nagasaki. Between them, the two bombs, each packing the punch of 20,000 tons of TNT, accounted for more than 200,000 casualties and dumped the world unceremoniously into the responsibilities of the nuclear...

Author: /time Magazine | Title: National Affairs: Little Boy & Fat Man | 12/19/1960 | See Source »

...fatherhood. "Fill your needs elsewhere," he proclaims indignantly. She finds a rival (Jean-Louis Maury) and gets engaged-but the rival gets cold feet, and at the fade hero tenderly promises heroine that some day, surrounded by all the children her heart desires, she may even have a wedding. Fin...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 28, 1960 | 11/28/1960 | See Source »

Until one day he chance to fin...

Author: /time Magazine | Title: Music: Folk Frenzy | 7/11/1960 | See Source »

...Mask & Fin. Since the naked eye is all but blind under water, the basic equipment is a good face mask that will transform the murk into a wonderland. With the addition of a simple snorkel tube poking above the surface, the swimmer can cruise indefinitely on the surface with his face buried under water. So equipped, swimmers can peer for happy hours into the depths of the Gulf of Mexico or forest-bound lakes in Wisconsin, study the toadfish that fusses like an old lady off Long Island. Ducking beneath the surface, the strong-lunged pry abalone from the California...

Author: /time Magazine | Title: Sport: Poet of the Depths | 3/28/1960 | See Source »

...femme fatale in all opera, is the heroine of Alban Berg's Lulu. Left uncompleted at Composer Berg's death in 1935, Lulu has one of the most difficult scores (twelve-tone) and the most sordid libretto ever written. It is a kind of nightmarish perversion of fin de siècle German romanticism; its subject matter includes sadism, narcissism, incest, homosexuality, masochism and murder. Counting its Zurich premiere in 1937, it has been staged only six times. The Frankfurt Opera is now giving Lulu its seventh production, and probably its best...

Author: /time Magazine | Title: Music: Period Piece | 1/25/1960 | See Source »

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