Word: finney
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...starring with men her own age, or at least her own generation. George Peppard, in "Tiffany's", and James Garner, in "The Children's Hour", were a year older. Peter O'Toole, in "How to Steal a Million", was three years younger, and "Two for the Road"'s Albert Finney seven years her junior - and the first Audrey co-star who seemed ready to treat her as a sex object. Yet to find someone whose roguish masculinity complemented her ethereal femininity, she would have to come out of retirement in 1976 for Sean Connery and Robin and Marian...
...updates what is otherwise essentially a rerun. The noirishly-named Max Skinner (Crowe) is a shrewd London banker who revels in conquering his competition through ruthless and unethical means. He’s also a stubborn misogynist, adding to our contempt. Upon the death of his uncle (Albert Finney), he inherits a château in France. Cue beautiful sunsets and rememberances of childhood. The movie alternates between flashbacks and the present day to establish how gentler moments of Skinner’s childhood influenced him. Romance enters the film when Skinner becomes reacquainted with the French countryside, his neighbors...
Appearing on Oprah and Larry King touting her autobiography, She's Not There: A Life in Two Genders, novelist JENNIFER FINNEY BOYLAN told how she stayed married to her wife after her sex change. It's a transsexual tale even pro-family groups might love...
...RECENT SUNDAY, Larry Finney, John Tomlinson and George Harrison, like carnies setting up a tent, began repurposing the cafeteria at the Loganville, Ga., middle school. First they carried in a dozen fake potted plants; then they replaced the lunch tables with a set of heavy risers. Next came an electric organ, boxes full of things like altar cloths and processional candles, and a rack bearing priestly vestments. By 9 o'clock the cafeteria was no longer a cafeteria; it was the sanctuary of the Holy Cross Anglican Church, where the priest, a magnetic 45-year-old named Foley Beach...
...necessarily lead to greater truthfulness. Indeed, it can be argued that the tender, fully clothed encounter between Ben Kingsley and Iranian actress Shohreh Aghdashloo in House of Sand and Fog tells us something profound about their relationship. The same way with the (also clothed) bathtub embrace between Albert Finney and Jessica Lange in Big Fish. On the other hand, the buck-naked romping of William H. Macy and Maria Bello in The Cooler is just as informative. Their bodies may be imperfect, but their pleasure is infectious...