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Saturday Night and Sunday Morning. Newcomer Finney battles society in the best British film since Room...

Author: /time Magazine | Title: Cinema: Apr. 28, 1961 | 4/28/1961 | See Source »

Saturday Night and Sunday Morning. Brilliant Newcomer Albert Finney battles society in the best British film since Room...

Author: /time Magazine | Title: Cinema: Apr. 21, 1961 | 4/21/1961 | See Source »

Saturday Night and Sunday Morning.' A natural revolutionary turns against society's bonds, keeps fighting against them in the best British film since Room at the Top. With a rising star, Albert Finney...

Author: /time Magazine | Title: Time Listings: Apr. 14, 1961 | 4/14/1961 | See Source »

Saturday Night and Sunday Morning. A brilliant newcomer, Albert Finney, in a fine British film: a loud, hilarious belch of protest from Britain's working class...

Author: /time Magazine | Title: Cinema: Apr. 7, 1961 | 4/7/1961 | See Source »

...revolution. But Arthur is the natural (as opposed to the political) revolutionary. He is the man in love with life, the Nietzschean yeasayer who devours all ex perience, even the experience of a brutal beating, and finds it nourishing. Author Sillitoe has recognized and unforgettably defined a type. Actor Finney, under the keen direction of Karel Reisz, a gifted maker of documentary movies, embodies the type with remarkable vigor and exact ness. Finney's strongest asset as an actor is his presence, an inward weight that holds the center of every scene, as the heaviest fish holds the bottom...

Author: /time Magazine | Title: Cinema: Saxon Revolt | 3/31/1961 | See Source »

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