Word: fiona
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...Alexis Monistat ads, and sunny "I have a secret" girls in a series of Tampax commercials. The mere presence of the chick-flick and its never-ending range - from "Single White Female" to "Notting Hill" salutes American women with both cheerful and turbulent visions of womandom. From girl powerful Fiona Apple to woman powerful Oprah Winfrey to Polident powerful Eartha Kitt, pop culture absolutely swims in images of femininity for the American woman...
...sirens for a group photo. Since Bond has vanquished more vixens than villains, it was a big group (this is only a third of them). From left, they are: URSULA ANDRESS (Honey Ryder), SHIRLEY EATON (Jill Masterson, coated in paint in Goldfinger), HONOR BLACKMAN (Pussy Galore), LUCIANA PALUZZI (Fiona Volpe), JILL ST. JOHN (Tiffany Case) and LANA WOOD (Plenty O'Toole). Where's Miss Moneypenny when you need...
...FIONA APPLE, hoping perhaps to become the Tolstoy of rock, has composed the War and Peace of album titles. The name of the pop urchin's second CD, due in early November, suggests that brevity is fine, as long as it's limited to clothing and time spent not taking yourself too seriously. The title? When the Pawn Hits the Conflicts He Thinks Like a King What He Knows Throws the Blows When He Goes to the Fight and He'll Win the Whole Thing 'Fore He Enters the Ring There's No Body to Batter When Your Mind...
...plot of How the Other Half Loves is almost as complicated as the staging. Bob Phillips (John Duda '99), a bored young businessman, has an adulterous affair with Fiona Foster (Sarah Matthay '99), the promiscuous wife of Bob's manager. Their unfortunate decision to use fictitious after-work jaunts with Bob's socially inept coworker William Detweiller (Kirk Hanson '99) and his wife Mary (Erica Rabbit '00) as a means of covering up their late-night meetings leads to a sequence of embarrassing dinner parties, misread signals, and confused assumptions on the part of almost everyone involved. Place...
Ruiz's men would border on the wrong side of caricature, though, were it not for their more grounded female counterparts. Matthay, as Fiona, is the most outrageous of this trio, though suitably so. She breathes cold-blooded temptress through every line. Kate Agresta '02 as Teresa Phillips and Rabbit as Mary Detweiller provide the backbone of the ensemble. Stressed out and overwhelmed, respectively, they provide glimpses from outside the crazy world that Ayckbourn creates, giving a somewhat more reasoned (or at least reasonable) response to the circus act that their life has become...