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...since the opening of Fiorucci on East 59th Street in the 1970s or Reminiscence on MacDougal Street in the 1980s has a fast-fashion retail brand made such a splash in Manhattan. On Thursday morning the model Kate Moss will join Arcadia Group chairman Sir Philip Green to cut the ribbon on British retail chain Topshop's long-awaited U.S. debut, at Broadway and Broome Street in SoHo. Originally scheduled to hit the Big Apple last fall, the delayed flagship opening comes at a time when other relatively inexpensive fashion brands like H&M and Zara are reporting declining sales...

Author: /time Magazine | Title: Look Out, H&M. Britain's Topshop Invades New York | 4/1/2009 | See Source »

...such as icebound Harbin and industrial Shenyang - far-flung, provincial cities where high style still means white socks, polyester slacks and faux-leather man bags. Educating these consumers in the general principles of fashion is a gargantuan task, never mind teaching them the difference between Ferragamo and Fendi or Fiorucci. Presumably, this is why Ferragamo organized two days of brand-building events here last week, beginning with a dinner party, followed by the opening of "Salvatore Ferragamo: Evolving Legend 1928-2008," a retrospective at the Museum of Contemporary Art (MoCA), a fashion show and an after party...

Author: /time Magazine | Title: Sole Train | 4/2/2008 | See Source »

...Barnett, a junior at Washington's Field School who sports a vigorously declarative print shirt. "I'm a wild and crazy guy. With dress codes you don't get to see other people's personalities, just the same old clothes." Brand-name sportswear, from Benetton to Topsider, Adidas to Fiorucci, is coveted. Whatever the label, and however the dress code may read, sameness is a problem in every school...

Author: /time Magazine | Title: Living: What The Kids Are Wearing | 9/26/1988 | See Source »

Although Roth deliberately focuses on male relationships, his incidental portrayal of women is suspicious. Cyd (Kathryn Harold), Blue's five-year live-in who abandons him for another painter; Candy (the late Carole Wayne), the voluptuous "submissive" S & M model for Blue's Fiorucci-style erotic paintings, and Liliane (Carole Laure), Eli's "ideal" woman, who works in a chic Los Angeles art gallery, are shown with such a distrustful distance that we never get far past their appearances. These characters are flat, like blank canvasses on which Blue and Eli project their own dreams and anxieties...

Author: By Susan Morris, | Title: Best Rivals | 5/3/1985 | See Source »

...funky rendition of "Rebel, Rebel." And maybe it has something to do with all the gratuitous semi-nudity, or the baffling pantomimes of torture and death. May be it even explains Leslie Beckhart's stunning array of metallic punk costumes, although they make Peoploids look more like a Fiorucci fashion show than a Washington march...

Author: By Sarah Paul, | Title: Bowie Worship | 4/23/1982 | See Source »

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