Word: firebirds
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Dates: during 1970-1979
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Beethoven: Symphony No. 7 (Philadelphia Orchestra, Riccardo Muti conductor, Angel). Mussorgsky-Ravel: Pictures at an Exhibition. Stravinsky: The Firebird Suite, 1919 version (Philadelphia Orchestra, Riccardo Muti conductor, Angel). Now that Muti has been appointed to succeed Eugene Ormandy in 1980, listeners will turn to these, his first discs with the orchestra, to see what kind of new leader the Philadelphia has. They will find few conclusive answers. These are unexceptionable performances, clean and firm-if anything, too firm in the emphatic attack in the Beethoven and the clipped chords of the Mussorgsky and Stravinsky. What is missing...
Maybe I should develop some of these points more fully. Like the Firebird. Not only is it a cool car, but just check out the things he does with it. He's probably the best driver on television, and definitely the coolest. Every time I try to throw my Gremlin into a spin instead of doing a three-point turn it stalls. Rockford wouldn't be caught dead in a Gremlin...
...Rockford is the coolest. Bar none. I mean, he wears polyester jackets, he drives a Firebird, he gets $200 a day plus expenses, plus the girl, generally. He dates girls who are smarter than he is, a very cool thing to do. Lately he has been dating Beth, a lawyer. Rockford could never be a lawyer--his degree is from the College of Hard Knocks. And his LSAT score was 417, anyway...
...night. Channel 4 had on "The Best of Carson" with some guy named Merle Earle. Channel 5 had Police Story, with aging Presidential groupie Angie Dickinson and that guy with the hole in his chin. Rockford, meanwhile, had a very cool evening. He almost got his hand broken. His Firebird left the ground completely on at least two occasions. He got cheated out of his fee. In the end he helped steal a Mercedes limousine. Now, if you can't tell how cool all this is you might as well put your head in a Cuisinart and call it quits...
Gelsey was to give Johnna plenty of opportunities to grieve. When she was 17, Balanchine devised a version of Firebird for Gelsey. The work took advantage of her speed and youth. "I didn't want a woman," Balanchine explained. "I wanted a bird, one of God's natural creatures." But Gelsey had created a story to prepare herself for her role. "I don't think Balanchine wanted me to do that," she says, correctly. Balanchine's bird was intended as just that, a pure figure of form and movement. The production was a rare Balanchine stumble. Critics blamed...