Word: firebrands
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...promote the Soviet hierarchy's current theme song to the Russians: that they must work all the harder to meet the renewed threat of capitalistic encirclement. He said that Churchill had sounded "a call to war with the Soviet Union," and bitterly pointed out that this "firebrand" had "raised the alarm and organized" the 1918-20 Allied invasion of the fledgling Soviet state, "with the aim of turning back the wheel of history." But "history turned out to be stronger than Churchill's intervention," and his "quixotic antics" had resulted in "complete defeat." If he tried it again...
When Jamal al Husseini alighted at the Damascus Gate, cheering Arab crowds pelted him with flowers. A firebrand of Arab anti-Zionism had come home from eight years of exile. Whirling dervishes and fierce-looking Arabs on prancing horses escorted him through the city. Jamal looked older, graver, but seemed to have lost none of his flaming nationalism. The British had brought him back on the eve of the Arab-Jewish showdown. Gratefully, the Arabs welcomed Jamal. Within a few hours of his homecoming the chairman of the Palestine Arab Party, cousin of the still-exiled Grand Mufti, was deep...
Died. Carlton Cole Magee, 73, Albuquerque Journal editor who blew the top off Teapot Dome with editorial dynamite, and in a quieter moment invented the parking meter; in Oklahoma City. Jailroaded (for libel) by political casualties of the explosion, Firebrand Magee was promptly pardoned, got in an impromptu fist-and-gunfight with the judge who sent him up, accidentally killed a bystander, but beat the homicide...
More an operetta than a musicomedy in treatment, The Firebrand of Florence largely dispenses with dance routines, specialty numbers, personalities (only nimble Melville Cooper as the nitwitted Duke of Florence makes himself felt...
...Firebrand of Florence (music by Kurt Weill; book by Edwin Justus Mayer & Ira Gershwin; produced by Max Gordon) sets to music Edwin Justus Mayer's 20-year-old comedy about Benvenuto Cellini, The Firebrand. Though the music itself proves an asset, it has to consort with a yarn that time has made paunchy and libretto-writing made puerile. The brawling mankiller, the dashing lady-killer, the impudent, artistic scapegallows Benvenuto (Earl Wrightson) becomes just another musicomedy swashbuckler; the plot and gags are such spinach that the whole thing turns out to be a musical poached eggs Florentine...