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East of the Mountains is best read, perhaps, as a kind of firelit Steinbeck Western about how a deliberate man learns the virtues of having his plans overturned and comes to embrace a life he'd all but given up on. Some readers may find the novel a little too sweet-spirited and lacking in a strong enough sense of evil to make the triumphs of goodness seem earned. Yet as a response to best-sellerdom, the book--and its author--has the bravery to strike off in a new direction. The intrinsic difficulties of completing a novel, says Guterson...

Author: /time Magazine | Title: Books: A Different Journey | 4/26/1999 | See Source »

Throughout, Beaton writes with a gift for image and metaphor. One woman has skin "as bright and smooth as the inside of a shell"; another "exudes the friendliness and sympathy of a firelit tea in winter." Virginia Woolf compared her diary to a "disheveled, rambling plant." Beaton's is more like a topiary, carefully trimmed to his own aristocratic profile. - Gerald Clarke

Author: /time Magazine | Title: Books: Snob's Progress | 2/11/1980 | See Source »

...Vulnerable to a breath, shedding its modest light and resolving the threats of darkness into rational form, it became a metaphor of human consciousness itself. Indeed, a tradition of the "night piece" runs back to the late 15th century, when Leonardo set down his precepts for painting dramatic firelit groups. Rembrandt in Holland and Caravaggio in Rome produced unforgettable examples of the genre. But the artist whose work is most intimately associated with candlelight was Frenchman: Georges de La Tour...

Author: /time Magazine | Title: Art: An Analytical Stillness | 7/3/1972 | See Source »

...sleeping country girl. John Constable's Study for "A Boat Passing a Lock" illustrates through its snapshot organization and cavalier brushwork his influence on Delacroix, Millet and Corot. Hardly less impressive are five canvases by the provincial Joseph Wright of Derby (1734-97), which range from a firelit Iron Forge to the protosurrealism of The Old Man and Death...

Author: /time Magazine | Title: Art: A Century of Exception | 1/19/1968 | See Source »

...darkness a long line of workmen, peering over a bank of earth, see their factory burned by the Germans, and as the camera moves in a moving frieze from face to firelit face, the faces slowly in the mind become one face: the image of Neapolis Agonistes, the image of all men who inhabit the dark night of tyranny...

Author: /time Magazine | Title: Cinema: Vulgarian Victory | 3/15/1963 | See Source »

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