Word: first
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Dates: during 1920-1929
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...Institute of Canada to meet with them in Manhattan and talk things over. Last week the pulpsters replied: Their minds were made up, they would not go to Manhattan to discuss the matter further, the price would be raised to $60 per ton with a $5 reduction for the first six months on three-year contracts...
...strong light, his oiled hair shining like paint, Ralph Greenleaf made run after run. Once he annoyed Rudolph who, having just missed his 24th shot, complained that Greenleaf had disturbed him by walking around. The referee said he had not noticed it. Greenleaf ran 41 in the first half of the 11th inning, Rudolph ran seven and missed. At the end of the match Greenleaf had his 125 points and the championship to Rudolph...
...speech about hunger with his mouth full of bread and beer. But even as Terekhine is apprehended, so the authors seem to imply that the Soviet cause will ultimately be purified. Full of good talk and temperamental skirmishes, the play reveals a sophisticated degree of analysis. It is the first production of the Theatre Guild Studio, experimental offshoot of the Theatre Guild employing its younger members. Herbert J. Biberman, onetime Guild stage manager and product of Professor George Pierce Baker's Yale School of Drama, directed the play and appears to great advantage as the sardonic, vicious Terekhine...
...lived in gloomy Pittsburgh where his father's house was hung with murky landscapes of the Hudson River School in massive, gilded frames. Small Phillips decided he disliked pictures. After college he traveled widely in search, he says, of something to interest him. Paintings did it. His first enthusiasm was Honore Daumier (1808-79) French caricaturist and painter; afterward there were others: the French Impressionists, French and American moderns. But his first interest never waned; today Mr. Phillips has the best Daumier collection in the world. In 1918 he had enough pictures to open the Phillips Memorial Gallery...
Last fortnight Duncan Phillips published for the first time a magazine named Art and Understanding. It is hereafter to appear twice a year. Called "A Phillips Publication," and written for the most part by the publisher himself, its illustrations are from canvases in the Phillips Gallery. There are also reprinted articles by John Galsworthy and Virgil Barker. In the opening editorial Collector Phillips gives his credo: "There is nothing esoteric and beyond the comprehension of the average man in that incessant spiritual activity, almost as old as the human species, which we call art. . . . The machine age promises to provide...