Word: first
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Dates: during 1940-1949
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...test the old wives' theory that chilling and wet feet bring on colds, Andrewes persuaded some of his volunteers to soak themselves in hot baths, then stand around in a drafty passage for half an hour undried, wearing bathing suits. Then they put on wet socks. In the first test, the chilled volunteers caught the cold virus more readily than those who were kept snug and warm. But, said Dr. Andrewes, "we were foolish enough to repeat this experiment-with a contrary result." The only positive finding: chilling alone produces no colds...
Born. To Thomas Francis ("Tommy") Dorsey, 44, belligerent, trombone-tootling bandleader (the "Sentimental Gentleman of Swing"), and third wife Jane New Dorsey, 26: their first child (his third), a daughter; in Manhattan. Name: Catherine Susan. Weight...
...Ball once had to walk off a Chicago stage when hooligans shouting in the balcony began to get too personal. On his way to make a movie in England, Robert Taylor found two bobby-soxers under his stateroom bed on the Mauretania. As a fledgling of 21, making his first tour, William Holden suffered hotel-room invasions by voracious women. In 1946, at London's first Royal Film Performance, a Hollywood contingent headed by Ray Milland touched off a mob scene that sent three fans to the hospital and 100 to first-aid stations...
...Wheel (United Artists) is a racing-car movie, and its cyclonic energy and pace are likely to leave audiences with dust in their eyes. As a chesty, first-year driver, Mickey Rooney burns up the racing circuit from Culver City to Indianapolis. Gripping the steering wheel with a fearful, downward thrust as though trying to keep the car on the ground, he never drives a dull race. He always wins, crashes, hurtles the wall, or narrowly misses burning to death. The movie falls short of the 1932 speedway saga called The Crowd Roars. But obstreperous acting, grease-textured photography...
Adriana is the ripe, first-person singular heroine of The Woman of Rome, a long, languorous novel by Italy's most trumpeted living writer, Alberto Moravia. U.S. readers may well ask what all the critical tizzy is about. In The Woman of Rome, Moravia has blended poverty and lust with considerable technical skill, but, given Adriana's temperament, his bid for deeper meanings, e.g., human helplessness caught in life's iron grip, was doomed from the start...