Word: first
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Dates: during 1970-1979
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...course, the first film to deal with these issues. A number of American movies have re-evaluated the roles of men and women throughout the decade. The cycle began when Mike Nichols' Carnal Knowledge and Paul Mazursky's Blume in Love first used comedy to expose the hypocrisies of the bright but sexist American male. After the women's movement took hold, films like Martin Scorsese's Alice Doesn't Live Here Anymore and Mazursky's An Unmarried Woman went further by trying to spread a new, liberated feminine ideal to a mass audience...
...sooner has Joanna left than Benton starts to direct sympathy to Ted, who must now go about the business of raising his son alone. Forced again to choose between the demands of his career and his responsibilities at home, the hero does not make the same mistake twice. At first tentatively, and then wholeheartedly, he throws himself into his relationship with his son Billy (Justin Henry). As he does so, Kramer offers a spectacle that is rare in both life and movies: a seemingly set character working fiercly into a new identity...
...emotionally drained, torn by both on the witness stand. After the judge has delivered his verdict, it is still difficult for the audience, as well as Joanna, Ted and Margaret, to decide who has really won. The ambiguity lingers to the final frame of the film. Like the first shot, the last one is a close-up of Streep-only now she seems even more distressed than before. Her face dissolves from one contradictory emotion to another in such disturbing succession that she reopens all the wounds and conflicts of the drama. The moment is powerful enough to nearly obliterate...
Truffaut was the director whom Producer Stanley Jaffe first hired for Kramer. When scheduling conflicts developed, Jaffe turned to Benton. Though he has directed only two previous movies, Bad Company (an antic western with Jeff Bridges) and The Late Show (an eccentric detective story with Art Carney and Lily Tomlin), Benton's career stretches back over a decade. With his longtime writing partner, David Newman, he co-authored the most influential film script of the '60s, Bonnie and Clyde, which, like Kramer, leavened conflict with smart wit. He and Newman also collaborated on such diverse '70s movies...
...Justin's school in Rye, a suburb of New York City, to look around, and that night his principal called to say they wanted him to audition in Manhattan. "I wasn't so excited," he says, "but I went anyway. There were 200 of us in the first tryout. Mr. Benton called each of us in and asked questions like 'Do you have a sister?' and 'Do you like the movies...