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...Whitney Museum’s independent study program... and he encouraged me to apply. So I dropped out of art school and started at the Whitney program at 18. I did that for one and a half years. Toward the end of my stay there, I published my first article, which was about Louise Lawler. The following summer, I did my first museum tour...
...Before I did my first museum tour performance, I had already started writing arts criticism. In a way, I remember thinking about [these] performances as arts criticism in action. There is a long history of artists engaging language [but] it was getting to the point where you went to a gallery and just stood there reading. I just thought, “There has to be a better way to bring in language and speech in order to engage in this discourse...
...From harrowing early documentaries providing the first looks into the Nazi death camps to award-winning blockbusters like “Schindler’s List,” cinema has proven itself uniquely suited to conveying the grim significance of the Holocaust. The volume of cinematic depictions can only be explained by the event’s call for intensely visual artistic response...
...artists, we put a lot in store in our own intentions. We intend our works to mean some things, and that’s what we want the viewer to get and understand. What an artwork means broadly in society as a particular kind of cultural object is first of all overwhelmingly defined by the fact that the artwork exists and is recognized as being a work...
...feeling alive again, alive again,” vocalist Alison Goldfrapp croons breathily on the third track of “Head First,” summing up the album’s vivacious spirit. British duo Goldfrapp’s fifth release, “Head First” is an infectiously bubbly, feel-good 1980s disco-pop infused production. Alison Goldfrapp and producer Will Gregory have experimented with various styles throughout the past 10 years, shifting from ambient electronic pop on their debut “Felt Mountain,” to darker sounds in later albums...