Word: firstness
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Dates: during 1960-1969
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...peer in on them-sometimes intently, sometimes lackadaisically-from over the iron pipe railing which separates the counters from everybody else. Watching the ballots pile up and listening for announcements of precinct results, the candidates continually reappraise their situation. Witness Harvard Ed School student Francis X. Haves, during the first count of ballots for him and the other School Committee candidates...
...count has a rhythm of its own; at first the moments of activity are few and far between as ballots are laboriously counted and stamped. Then, as the redistribution picks up speed, the flurries of activity come closer together, though waiting for the next count is always an infinity for any politician, anywhere. The onlookers join in the handicapping game, in particular attempting the difficult task of determining which candidates will have number two votes to give to which others, or as they put it. "who'll be feeding whom." Conversations go like this...
Much of the grousing about the count itself is probably unfair. In fact, today's counts are, by general sentiment, models of efficiency compared to those done in the first years after Cambridge adopted the PR system in 1941. In one election then, it took nearly a month to get the results...
...jerk who first started telling the world that apple pie was synonymous with America? William Jennings Bryan? Alexander Graham Bell? Durward Kirby? Well. whoever he was. he would probably insist that Take Me Along, this fall's Agassiz musical, is as American as apple pie. The show has all the credentials: a fourth-of-July setting, young lovers making a marriage pact under a full New England moon, parades, red-white-and-blue razzmatazz, you name it. But despite all that, don't be tricked: Take Me Along is as American as Jack Daniels booze-and all the better...
Birnbaum is helped tremendously by the sets (unaccredited in the program), which are both atmospheric and serviceable. (The show really moves; it is the first time I have been out of an Agassiz musical by eleven o'clock.) Sara Linnie Slocum's lighting and Gail Steketee's costumes also contribute much to the production's dreamlike, hangover mood...