Word: firth
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Dates: during 1990-1999
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...gently celebrating eccentricity or mildly deploring familial dysfunction? This story, told by a 10-year-old boy growing up in a Scottish castle in the 1920s, can't quite make up its mind on that matter. Or what it thinks of its central figure, Edward (Colin Firth), an impractical inventor trying to make a go of moss farming. He is at once pious and lustful (his determined eye is cast at his brother-in-law's pretty French fiance), a good father to his numerous brood, yet sometimes abrupt and heedless of them. He's a stormy character, all right...
After Harvard scored two in the firth to bring itself within one, McKendry did her best Jim Leyritz imitation in the top of the seventh, capping the Crimson comeback with a home run. The solo shot and the scoreless half inning that followed meant extra innings in spite of the impending darkness...
...aroused and troubled by Katharine; even dancing, he stalks her furtively, as if she's not supposed to know she's in his arms. Almasy, a hoarder of his own secrets, may want to possess but not be known; Katharine may be tired of her cheery husband (Colin Firth), and she's itchy to return to her seaside home. None of this matters when they fall in love...
...Bennet family sets about finding wealthy husbands for its five unattached daughters. Production values are first rate, with gardens and parlors so meticulously observed they could make Merchant and Ivory give up and turn to Die Hard sequels. And yet, amid the tastefulness, sexual tension lurks. Colin Firth plays Mr. Darcy, the romantic lead, as though he were a creation of the Brontes rather than the ironic, detached Austen. This Darcy is a man consumed by his passion for Elizabeth (Jennifer Ehle), the novel's brilliant, voluble heroine. His eyes are piercing, and he cannot take them...
...This is why dramas like Anna Christie -- ponderous artifacts stocked with sullen, logorrheic characters -- are so often revived, with such imposing casts. Jason Robards has long fanned the flame on Broadway, / and London has seen many winning revivals: the Glenda Jackson Strange Interlude, Desire Under the Elms with Colin Firth and Carmen Du Sautoy, A Touch of the Poet with Timothy Dalton and Vanessa Redgrave. Actors love digging to the core of a role, no matter how long it takes; and O'Neill's plays, which idle in dour exposition before revving into revelation, let them reproduce that effort every...