Word: firth
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Dates: during 2000-2009
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...Britain's favorite wounded bird of the '90s vanishes. (Hey, if Vivien Leigh could play Scarlett O'Hara...) She fits in, and stands out, perfectly. And as the plot of Bridget Jones's Diary ripens, and two handsome men--rapacious Daniel Cleaver (Hugh Grant) and dull Mark Darcy (Colin Firth)--tumble vagrantly into her heart, Zellweger reveals, as in a soul's striptease, Bridget's appeal. Inside this "verbally incontinent spinster" (as Darcy calls her), a brilliant vamp is aching to be set free...
...this is a very romantic romantic comedy. That Firth, who was the dark dreamboat Darcy in Pride and Prejudice, plays dull dreamboat Darcy here simply underlines the comedy-of-manners connection between Helen Fielding's work and Jane Austen's. This, for the most part, is a tale of comic good sense and poignant sensibility...
...heart, Bridget Jones’s Diary is simply a modern day adaptation of Pride and Prejudice. Like Elizabeth Bennett, Bridget is initially put off by the alluring yet aloof Mark Darcy (Colin Firth), a recently divorced and fantastically wealthy human rights barrister that everyone is trying to set her up with; instead, she finds herself falling for her rakish, yet caddishly womanizing boss Daniel Cleaver (Hugh Grant). In her romantic and dietary pursuits, she bumbles and humiliates herself in scene after scene, endures the company of officious “smug marrieds” with the help...
...amusing twist of intertextuality, Colin Firth, known simply as a wet T-shirt to American Austen princesses, is delicious as Darcy. Firth, having previously played Austen’s Darcy in the 1995 BBC Pride and Prejudice television miniseries, returns to romantic hero-dom after playing the discarded husband in both The English Patient and Shakespeare in Love. He silently observes Bridget’s liaisons with the deceptive “Cleave,” slowly revealing his growing tenderness for the girl, until he can take no more. Granted, it’s a role that...
...attention to aesthetics. One landscape of a pyramid taken by Francis Frith depicts the subtle beauty of the pyramids of Saqqara. His use of light and shadow rivals many Ansel Adams landscapes. The printmaking is of such high quality that the footsteps and the tracks of the cart Firth was pulling his camera equipment in can be seen snaking through the photograph. In spite of these few photographs made with great artistry, most of the images in display seem to be staged, trite, commercialized depictions of the Middle East...